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Sample of Master Shots

Sample of Master Shots

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Published by: Michael Wiese Productions on Nov 18, 2009
Copyright:Attribution Non-commercial

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02/25/2013

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                   
MASTER SHOTS


 
CONTENTS V
CONTENTS
INTRODUCTIONABOUT THE IMAGESCHAPTER 1FIGHT SCENES
1.1
Long Lens Stunt
1.2
Speed Punch
1.3
Matching Motion
1.4
Knock Down
1.5
Cutting For Impact
1.6
Down on the Floor
1.7
Off-Screen Violence
1.8
 The Moment of Defeat
CHAPTER 2CHASE SCENES
2.1
 Travel with Subject
2.2
Long Lens Pan
2.3
Passing Through Tight Spaces
2.4
 Through Open Spaces
2.5
Surprises Along the Way 
2.6
 The Unseen Attacker
2.7
 The Closing Attacker
2.8
Unfair Speed Gain
2.9
Almost There
2.10
Footwork 
CHAPTER 3ENTRANCES & EXITS
3.1
Character Switch
3.2
Background Reveal
3.3
 The Turn In
3.4
Object Revelation
3.5
Window Push
3.6
Scene Swap
3.7
 The Pendulum Pan
3.8
Direction Shift
CHAPTER 4SUSPENSE, SEARCHING& CREEPING
4.1
Subtle Dolly 
 
VI CONTENTS
4.2
 The Unseen
4.3
Anticipating Motion
4.4
Push On Nothing
4.5
Widening the Space
4.6
 Two Things At Once
4.7
 Traces and Clues
4.8
Steps to Suspense
4.9
Visual Dangers
CHAPTER 5DRAMATIC SHIFT
5.1
Focus In
5.2
Moment of Drama
5.3
Pan and Slide
5.4
Working the Background
5.5
Pivot on Characters
5.6
Reverse All Directions
5.7
Backwards Dolly 
5.8
Underlining Stillness
5.9
Simultaneous Motion
CHAPTER 6REVELATIONS & DISCOVERIES
6.1
Mirror Door
6.2
Separating
6.3
Detail in the Crowd
6.4
Out of the Shadows
6.5
Pull-Out Reveal
6.6
Parallel Dolly 
6.7
Moving On
6.8
Eyeline Change
6.9
Eye Slide
CHAPTER 7: SHOCK HORROR
7.1
Building Tension
7.2
Misdirection for Shock 
7.3
Fearing a Character
7.4
Fearing a Place
7.5
Wide Spaces
7.6
Visual Shock 
7.7
A Change of Mind
7.8
Shielding Attacker
7.9
Window of Fear
CHAPTER 8DIRECTING ATTENTION
8.1
Object Guide
8.2
Handing Off Motion
8.3
Change of Direction

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