TABLE OF CONTENTSvii
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30 — Learn to use inexpensive artificial lightsMixing Available and Artificial light
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31 — Mixing natural and artificial light
CHAPTER 6 Shooting footage that you can edit
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32 — Make a shot list before you shootSometimes you shoot without a shot list
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33 — Get The essential images
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34 — Shoot Sequences
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35 — Get Reaction shots
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36 — Shoot Motivated cutaways
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37 — Maintain a low shooting ratio
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38 — Label your media
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39 — Slate Your Shots
CHAPTER 7 Getting good sound
Location sound is important
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40 — The smaller your crew, the more you need a dedicatedsound person
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41 — Consider hiring a professional sound person
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42 — Scout all locations for sound
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43 — Know how to use the on-camera mike
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44 — Use a professional field recorder
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45 — Use good headphonesDirectional microphones
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46 — Consider using boomed directional mikes for dialog
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47 — Use a boom
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48 — Shotgun microphone on a camera
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49 — Always use windscreens on your microphonesLavaliere microphones
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50 — Consider lavaliere mikes for dialog
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51 — Where to put the lavaliere microphone
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52 — Wired lavaliere microphones
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53 — Wireless lavaliere microphones
CHAPTER 8 Using Test Charts and Cards
Charts are not just for professionals
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54 — Use a spectroscopically neutral white card
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55 — Learn to Use a Warming White Card
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56 — Use a colorbar and grayscale chart
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