Vermeer – the painter of symbols
In this argumentative essay I want to demonstrate the importance of Vermeer.Johannes Vermeer of Delft, also known as Jan Vermeer or Johannes van der Meer, is now considered to be one of great Dutch masterpainters. However, hiswork was forgotten after his death in 1675. It was not rediscovered until the late19
th
century.Johannes Vermeer of Delft was one of the most talented painters in theDutch Golden Age. He created a number of paintings in the 17
th
century. His Work and life had been forgotten for centuries, but now Wermmer is considered to beone of the greates painters.
I choose Vermeer for many reason:
- the fact that his importance was forgotten for century- the motifs and the theme that he approched- the fact that Vermeer used many symbols, attributes, personificationsand allegories in his paintings- his paintings are full of musical instruments and people makingmusic.- Vermeer painted mostly domestic interiors.Little is known about his life and only a small number of his paintings have been preserved. The only sources of information are some registers, a few officialdocuments and coments by other artist.
I considere
Wermeer a good painting because he created luscious canvasesof limited scope: generally women and men in seventeenth-century rooms, but alsooccasional outdoor scenes, allegory and religious themes. The fascination lies withthe intricate combination of light, color, proportion and scale that anhance themoods and reality of the subjects.
Another reason
to love Vermeer are his themes: portraits, city views,evryday scenes painted by him.Whenever we look at a painting we may ask ourselves several questions.One of the firts questions would probably be: “
Who made it?
” For most paintingsthis will be very clear. Maybe there is a signature on the painting, or you simplylook at the information sign near the painting in the museum. Then you willautomatically see the title on the painting. But the question “what is the meaning of this picture?” may not be so easy to answer.
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