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  • Archival Toning Procedures

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    Edward Stapel
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    Selenium toner affects the print in three ways. It will change the image tone of a either subtly or dramatically. It will increase a contrast by deepening the tone of darker areas in the image. It gives a print greater permanence by making it less susceptible to aerial contaminants.

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    Selenium toner affects the print in three ways. It will change the image tone of a either subtly or dramatically. It will increase a contrast by deepening the tone of darker areas in the image. It gives a print greater permanence by making it less susceptible to aerial contaminants.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    44 views1 page

    Archival Toning Procedures

    Uploaded by

    Edward Stapel
    Selenium toner affects the print in three ways. It will change the image tone of a either subtly or dramatically. It will increase a contrast by deepening the tone of darker areas in the image. It gives a print greater permanence by making it less susceptible to aerial contaminants.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Archival
Toning
Procedure
for
Black
and
White
Prints


    Edward
Stapel

    

    All
prints
should
be
properly
developed
and
fixed
prior
to
toning.


    

    DISCLAIMER:
For
this
procedure,
we
will
be
using
Kodak
Rapid
Selenium
Toner.

This

    toner
is
toxic.

You
should
wear
gloves
(either
disposable
surgical
gloves
or
dishwashing

    gloves
dedicated
to
toning)
when
handling
prints
in
this
toner.

    

    Selenium
toner
affects
the
print
in
three
ways.

First,
it
will
change
the
image
tone
of
a

    print,
either
subtly
or
dramatically.

Second,
it
will
increase
a
print’s
contrast
by

    deepening
the
tone
of
darker
areas
in
the
image.

And
third,
it
gives
a
print
greater

    permanence
by
making
it
less
susceptible
to
aerial
contaminants.

    

    Experimentation
with
different
papers,
developers,
toner
dilutions,
and
length
of
toning

    time
will
yield
a
variety
of
image
tones.

These
tones
can
vary
from
cool
blue/blacks
to

    warm
reddish/blacks.



    

    For
the
following
procedure
we
will
be
using
a
weak
dilution,
which
will
ensure
archival

    permanence
but
won’t
change
the
image
tone
very
much.

This
dilution
is
1:15
(1
part

    toner
to
15
parts
water)
for
5
minutes

    

    Procedure:

    You
will
need
four
trays
for
this
process:
two
holding
trays
of
water,
one
for
the
toner,

    and
one
for
fixer
remover.

    

    
 Print
Size
 
 
 Liquid
meas.
 
 
 Total
volume

    
 

8x10
 
 
 
2
oz.
Toner
+
30
oz.
Water
 
 



1
qt.
(32
oz.)

    
 
11x14

 
 
4
oz.
Toner
+
60
oz.
Water
 
 



2
qt.
(64
oz.)

    
 
16x20

 
 
8
oz.
Toner

+
120
oz.
Water
 









4
qt
(1
gal
or
128
oz.)

    

    Prints
should
be
toned
for
5
minutes
and
then
placed
in
fixer
remover
for
5
minutes.

    Prints
should
then
be
washed
for
15
minutes
in
the
print
washer.

    

    





Tray
1:
 
 






Tray
2:
 
 








Tray
3:
 
 
 





Tray
4:

    
 

    





Holding
 
 





Selenium
 
 




Fixer
Remover
 
 





Holding

    Tray
 
 
 Toner
 
 
 5
Minutes
 
 
 Tray

    Water
 
 
 1:15
for
 
 
 
 
 
 Water

    
 
 
 





5
Minutes

    

    Prints
should
be
toned
in
batches,
no
more
than
5
or
6
prints
per
batch.

Give
regular

    agitation
and
carefully
shuffle
prints
to
ensure
even
toning.


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