Professional Documents
Culture Documents
– Logical Arrangement of Space and Materials. This has been found to increase
the frequency of play and enhance learning when engaged in play. Blocks, dramatic
play, and motor play are typically held in similar proximity as opposed to learning
centers being distant.
– A Modified Open Plan Design. This design usually divide areas using shelves,
bulletin boards, etc. However, they allow easy access and vision to the other areas.
– Stimulus Shelters. A space for children to be alone and to enjoy a brief respite
from active classroom life.
– Open-ended materials. Those with which children are able to express themselves
freely and creatively (e.g., hardwood blocks)
– Closed materials. Those with only a single use (e.g., an ordering game in which
objects are arranged by size)
– For children (5-6yrs), nonrealistic materials were more instrumental towards the
development of language and symbolic development.
• In many play based centers, it is important to note that the process of learning and
expression through play is what is most important—not the end product.
– Art based play
– Socio-dramatic play
– Musical play
– Curriculum based play (mathematics)
– However, it has been noted that some children spend 45 min-1hr planning their
play—designing play sets, negotiating roles, and discussing themes.
The benefits have been found to be short lived in many young children.
They fail to develop nonacademic areas that are essential. Studies have noted that
preschoolers who were in these programs were found to be more likely, as adolescents, to
engage in delinquent behavior
• Not all children engage in sociodramatic play; some are less engaged and less
social, & imaginative.
• Absence of socio play abilities among low socioeconomic kids may explain
academic difficulties in later childhood
• Adult intervention can increase the quantity and quality of sociodramatic play and
enhance overall cognitive development
Isenberg and Jalongo’s Creative Drama for the Primary Grades
• Proposed a program to enhance creative drama (pp.315)