Figure 1: Compression and rarefaction of sound by a vibrating tuning fork.

Figure 2: Visualization of sound rarefaction and compression in a coiled spring.

Figure 3: Changes in sound pressure over time.
1
Figure : !udible range of sound.
2
3

Figure ": #he inverse s$uare la% of sound.

Figure &: Variation of speed of sound %ith medium of transmission. #he person %ill hear
the train noise via the rails before he hears it through the air.
Figure ': (igh and
lo% fre$uency
illustration.
Figure ): #he near
field and far field
of sound.
"
Figure *: +ecrease in sound intensity for an omnidirectional point source.
Figure 1,:
omnidirectional point
source. +ecrease in
sound pressure level for
an
Figure 11: doubling of distance. +ecrease in sound intensity for a point source %ith
&
Figure 12: doubling of distance. +ecrease in sound intensity for a line source %ith
Figure 13: +ecrease in
sound pressure level for
a line source.
Figure 1: -erpendicular %ave fronts.
Figure 1": .efraction
of sound %ith no
temperature inversion.
Figure 1&: .efraction
of sound %ith
temperature inversion.
Figure 1':
#ransmission and
absorption of sound.
Figure 1):
+iffraction of
sound.
'
Figure 1*: !coustic shado% at high fre$uencies.
)
*
1,
11
12
13
1
1"
1&
1'
1)
1*
2,
21
22
23
2
2"
2&
2'
2)
2*
3,
31
32
33
3
3"
3&
3'
3)
3*
,
1
2
3
.eferences:
1. !rch. !coustic %ork book by /. +avid 0gan1
2. 2esson31314asic concepts in !rchitectural !coustics