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digital

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Published by: api-26830587 on Nov 26, 2009
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03/18/2014

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Technology has changed the way films look,sound and feel. And many of
Hollywood and bollywood blockbusters are utilizing Indian talent to create their magic !
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Sure enough, today\u2019s movies epitomize this adage more than anything else. The aura and grandeur of movies facilitated by stunning and advanced state-of- the artspecial effects technology have rendered this impossible possible.

Most discussions of cinema in the digital age have focused on the possibilities
of interactive narrative. It is not hard to understand why??..since the majority of viewers
and critics equate cinema with story telling.Digital media is understood as something which
will let cinema tell its stories in a new way.

Digital movies is the process of capturing motion pictures on digital video in

place of (or as a substitute for) traditionalfilm.Today, in the age of computer simulation
and digital compositing, invoking this characteristic becomes crucial in defining the
specificity of twentieth century cinema. Digital cinema encompasses every aspect of the
movie making process, from production and post-production to distribution and projection.
A digitally produced or digitally converted movie can be distributed toth eater s via

satellite, physical media, or fiber optic networks
What exactly is digital cinema?
Principles and benefits
Is digital movie really better than film?

How does DLP cinema\u00ae technology work?
Where can I see a movie digitally?
Technical challenges ..
Conclusion..

Technology has seamlessly and
subtly permeated into movie making and story
telling. India, with a film industry known for being
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the largest in the world with highest no of film releases every year, has demonstrated its taste for visual effects in several of its recent commercial releases. The idea behind this is not just to meet pratical needs of cost cutting vis-\u00e0-vis saving time, but a desire to paint the film with a creative brush and realize the visions of grand storytelling.

In past 10 years, the capability of the tools both hardware and software has
expanded manifold. So much had developed so that today it is possible to createawar d
winning animations and visual effects on systems that are no longer the mainstay of high

end production houses.. Today, virtually every film produced uses some form of special effects or touching up, all of which translates into true magic when in hands of a skilled visualizer.

Digital movies is the process of capturing motion pictures on digital video in place

of (or as a substitute for) traditionalfilm. Although this
subject has received a good deal of publicity in recent years, it
is hardly a new concept: before it was reintroduced as
"Digital cinematography" in the late 1990s it was known for
many years as "Electronic cinematography". There are
frequent disputes regarding what actually constitutes "cinematography", since in its normal
sense the word implies something that exhibitors think worth displaying on a giant screen
in a cinema, usually with the goal of attracting paying customers. (Although originally the
term was simply a means of distinguishing motion picture photographers from still
photographers.)

At the moment, most of the "film" projects shot using electronic cameras do not
face commercial markets. Public airings (if any) are generally at non-profit film festivals,
and are frequently projected as video rather than film. If such projects are ever released for
sale, it is nearly always on DVD or videotape, so they might be more accurately called
"non-broadcast television productions".

The basic concept of digital filmmaking is relatively simple: to use digitalvideo
cameras to capture and store motion images and synchronized digital audioas Digitaldata
in i.e a process analogous to digital photography.
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