This document provides instructions for building a compressor/limiter circuit. It combines elements of compression, which reduces the dynamic range of a signal by attenuating peaks and amplifying valleys, and limiting, which only restricts the peaks of a signal. The summary includes:
1) The circuit uses an opto-isolator and two op-amps to vary the gain of one op-amp stage based on the output of the other, compressing the dynamic range of the input signal.
2) It provides compression and output controls to adjust the amount of compression and output level, with a compression ratio of 10:1 over a 50dB range.
3) The document provides detailed instructions on building, using
This document provides instructions for building a compressor/limiter circuit. It combines elements of compression, which reduces the dynamic range of a signal by attenuating peaks and amplifying valleys, and limiting, which only restricts the peaks of a signal. The summary includes:
1) The circuit uses an opto-isolator and two op-amps to vary the gain of one op-amp stage based on the output of the other, compressing the dynamic range of the input signal.
2) It provides compression and output controls to adjust the amount of compression and output level, with a compression ratio of 10:1 over a 50dB range.
3) The document provides detailed instructions on building, using
This document provides instructions for building a compressor/limiter circuit. It combines elements of compression, which reduces the dynamic range of a signal by attenuating peaks and amplifying valleys, and limiting, which only restricts the peaks of a signal. The summary includes:
1) The circuit uses an opto-isolator and two op-amps to vary the gain of one op-amp stage based on the output of the other, compressing the dynamic range of the input signal.
2) It provides compression and output controls to adjust the amount of compression and output level, with a compression ratio of 10:1 over a 50dB range.
3) The document provides detailed instructions on building, using
Defln'tlon: A compressor reduces the dynamic range
ot a signal by attenuating peaks and amplitying valleys. A limiter only restricts the peaks ot a signal. This unit combines elements ot both. Figure 5-45 Compressor mounted in a Vector-Pak card module prior to installation in the pedalboard project (No. 23). Level of Difficulty: lntermediate Background: Compression and limiting have been used for mony years in studio s, radio stations, commercials, communications, and mony other applications. Dynamic range reduction prevents overloading oftapes, thus minimizingdistortion: increases the apparent sustain of stringed (percussive) in- struments; and improves intelligibility with speech and PA systems. When play ing guitar through a compressor, for example, single-note lines or fuli six-string chords sound equally lo ud. Construction Tips; While not an extremely critical circuit, please note the following precautions. This project uses a CLM6000 opto-isolator. Refer to the Genera lnstructions section at the beginning of this chapter before attempting to solder this part in place. Keep all wiring as short and direct as possible, espe- cially those wires going to Jl, R6, and R7. Keep input and output leads at least 1 cm (1/2") away from each other. Shield the wires going from pad D to R7, tenninal 2, and from pad A to R6, tenninals 3 and 2. Using the Compressor In many ways, compressors ale at their best when used subtly. Use the minimum amount of compression neces- sary to get the effect you want. Guitar players should note that a compressor only increases the apparent sus- tain of a guitar; i.e., it cannot make a string vibrate any ~onger, but instead amplifies the string more as it decays. . Plug instrument into Jl and patch J2 to your amp. Start with both controls ful1y counterclockwise. Features . Fast attack, sow decay response . 10:1 compression ratio over 50-dBrange (see Spec- ifications) . Also functions as compressing preamp for convert- ing low-Ievel signa1s to compressed, high-Ievel sig- na1s . Choice of line-Ievel or low-Ievel operation set by single resistor . Operates from t9 to t15V . Separate compression and output controls . Suitable for recording or stage use . Excellent frequency response characteristics 94 Modifications . For line-level operation, recommended R8=220k . For low-level operation, R8=lM . For maximum sustain, use 1M for R8, even willi line-level signa1s. The tradeoff is mOle noise, especially when preceded willi other electronic devices or when used in conjunction willi an instrument that bas a built- in instrument preamp. . Running the compressor at t15V increases the amount of sustain slightly. . Tum up output for a preamping effect. At extreme clockwise positions you may encounter distortion. Re- turn control to about halfway before proceeding to next step. . Tum up compression until you notice a drop in level. The level drop corresponds to the amount of gain reduction introduced by the compressor. Increase out- put to compensate for this drop. Subtler instrument sounds should naw be mOle prominent. . With extreme clockwise settings of the compres- sion control, the soundwill getnoisy andpossibly rough- sounding. Avoid overcompression. . For absolute minimum noise, do not use any electronic devices (fuzzes, etc.) before the compressor. With moderate amounts of compression, including a low noise preamp in the signal chain before the compressor will introduce an acceptably law amount of noise. How- ever, in most cases the compressor should come first in the signal chain. In Case of DifficuIty . Noise: Reduce compression control. Feed instru- ment directly into compressor. . Distortion: Reduce output control. If distortion persists, reduce compression control, and return output to original setting (or until distortion occurs). Make SUTe you aren't overloading your amp. . No compression action: First, remember that compressors ale not supposed to add much coloration to the sound; compare compressed sound willi bypassed sound to determine whether the unit isn't compressing. If compression still isn't evident, che ck 011 for proper orientation and installation. Check IC2. Check compres- sion control setting. Figure 5-46 Compression curve, R8=lM. When R8=220k the curve isn 't as dramatic, but I still recommend this value for line-level applications to keep the noise level acceptable. Specifications Current consumption: t5mA Frequency response (any setting of compression or out- put control): tldB, 50Hz - 20kHz Output headroom: 14V pk-pk Compression ratio: 50dB change in input level yields 5dB change in output level; 60dB change in input level yields lOdB change in output level (R8=lM) Compression curve: see Figure 5-46 95 Figure 5-47 Artwork for the foil side of the circuit board, shown 1 to 1. How it Works To fulIy understand how ibis project works, reread the section in the be- ginning of ibis chapter on how the CLM6000 opto-isolator works. The input couples into ICIA through C3 and R9. R8 sets the maxi- mum gain of ibis op amp stage, but the overall gain is variable because of the photoresistor connected in paraIle! with R8. More light on the photo- resistor reduces the gain of ibis stage: less light gives more gain. The output of ICIA takes iwo different paths, one towards ICIB and the other towards IC2. We'lI Iook at IC2 flrst. This op amp is a high-speed, uncompensated op amp whose frequency response is .lirnited by C2. The signal from ICIA couples into IC2 through C4, compression control R7, and R5. The output of IC2 then dves the LED half of the CLM6000, so the LED bghtness corresponds to the loudness of the signal from your in- strument. As more signal goes into IC2, the LED gets bghter, which re- duces the gain of IC 1 A and sends less signal to IC2. Thus, as the in'put sig- fial increases, the compressor is constant1y trying to tum itself down, which is what keeps the signal output mOle or less constant in the face of widely varying input voltages. This action takes place so fagi you don't beaT the effect as something choppy, but rather as a smooth, compressing effect. R7 determines the amount of signallevel going into IC2. Letting mOle signal through tums on the LED that much sooner, resulting in gaju reduction at lower signallevels for more compression. Because we've cut the gain of IClA down via the above-mentioned compression action, we need to add someampliflcation to bng the signal level back up again at the output. This is ICIB's function. R6 sets the gain; CI limits the high-frequeocy respoose of this stage to prevent instability. The output floro this amp couples through C6 to J2, the output jack. R3 tes to keep C6 tied to ground; ibis prevents you from heang a loud pop when you plugsomething into the output. Dl and D2 ale polaty reversal protection diodes, while C7 and C8 add rower supply bypassing and decoupling. 96 Figure 548 Component layout for the compressor. 97 Project No. 8 PARTS LIST Resistors (a11 ale 1/4W, 10% tolerance, except as noted) Rl 1.5k R2 8.2k R3 lOk R4, R5 47k R6 100k audio taper pot-controls output R7 100k audio taper pot-controls compression R3 220k (line level), 1M (low level) R9 220k RIO 1M Capacitors (rated at more than 10V for -!;9V power supply) CI, C2 2OpF (polystyrene preferred, disc acceptable) C3 O.22J}F (mylar preferred, disc acceptable) C4 2J}F, electrolytic or tantalum C5 -C8 l OJ}F, electrolytic or tantalum Semiconductors ICl IC2 D1,D2 011 RC4739 or XR4739 duallow-noise op amp LM201 uncompensated op amp (substitutes: LM301 LM748) IN4001 or equivalent silicon diode CLM6000 opto-isolator(manufactured by Clairex) Mechanical Parts J1,J2 Misc. Open circuit 1/4" mono phone jack Knobs, case, circuit board, 14-pin IC socket, 8-pin IC socket, wire, solder, etc. 98
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