Conducted Repertoire - Modern and Contemporary Works
Bartk, Roumanian Folk Dances, Sz. 68 Multiple Bartk, Violin Concerto No. 2, Sz. 112 Cover Beck, Jeremy, In Flight Until Mysterious Night (2009) Performance Bernstein, Overture to Candide (1956) Seminar Bernstein, Slava! (1977) Performance Boulez, Le Marteau sans Matre Performance Britten, A Midsummer Night's Dream, Op. 64 Performance Cadra, Stefan, Chemical Dances (world premiere) Performance Carter, Triple Duo (1982) Performance Corigliano, Voyage (1976) Rehearsal Copland, Appalachian Spring (chamber vers., 1944) Performance Copland, El Saln Mxico (1936) Creston, Marimba Concerto, Op. 21 (Soloist/Conductor) Multiple Debussy, La Mer (1905) Seminar Debussy, Prlude l'aprs-midi d'un faune (1894) Seminar Faur, Pavane, Op. 50 Performance Falla, El Sombrero de Tres Picos, Suite Seminar Garcia, Federico, Aquel que al Verme (World Premiere) Performance George, Thom Ritter, Aria and Dance (1974) Rehearsal Gillingham, Percussion Concerto (1997) Performance Grainger, Lincolnshire Posy (1937) Performance Grainger, Irish Tune from County Dairy (1909) Seminar Heap, Matthew, Unraveling Conversations Performance Higdon, Rhythm Stands Performance Hindemith, Kammermusik No. 7, Op. 46/2 Performance Hindemith, Symphonie Mathis der Maler Multiple Holst, Brook Green Suite Multiple Holst, St. Paul Suite Seminar Holst, Suite No. 1 in E-flat Major, Op. 28, No. 1 Seminar Kramer, Timothy, Three Pairs Suite (2009) Performance Lauritsen/Reynolds, O Magnum Mysterium Performance Jordan Randall Smith Conductor Logee, Nathanial, To the Tower of the Necromancer (World Premiere) Performance Mahler/Schoenberg, Lieder eines fahrenden Gesselen Performance Mrquez, Danzn No. 2 (1974) Rehearsal Moussorgsky/Ravel, Pictures at an Exhibition (1929) Multiple Murphy, Nicole, Untangled (World Premiere) Performance Ovalle, Jonathen, Worlds Apart (World Premiere: April 2005) Performance Pekowski, Jon, Io from Rings of Jupiter (World Premiere) Performance Poulenc, Dialogues des Carmlites (1956) Performance Rachmaninov, Piano Concerto No. 2 in C Minor, Op. 18 Multiple Rachmaninov, Symphonic Dances, Op. 45 Rehearsal Schoenberg, Pierrot Lunaire, Op. 21 Performance Schoenberg, Three Pieces for Chamber Orchestra (1910) Performance Sibelius, Symphony No. 5 in E Minor, Op. 82 Performance Sibelius, Violin Concerto in D Minor, Op. 47 Seminar Strauss, Suite in B-flat, Op. 4 Seminar Strauss, Don Juan, Op. 20 Rehearsal Strauss, Till Eulenspiegels Lustige Streiche Seminar Stravinsky, Firebird Suite (1919) Rehearsal Stravinsky, LHistoire du Soldat (1918) Rehearsal Stravinsky, Octet (1952 vers.) Multiple Stravinsky, Petrushka Seminar Stravinsky, Suite No. 1 for Small Orchestra (1925) Performance Stravinsky, Suite No. 2 for Small Orchestra (1925) Performance Shostakovich, October, Op. 123 Rehearsal Shostakovich, Symphony No. 1 in F Minor, Op. 10 Seminar Shostakovich, Symphony No. 5 in D Minor, Op. 47 Rehearsal Shostakovich, Symphony No. 12 Seminar Tower, Petrouschkates Cover Ravel, Rapsodie Espagnole (1907) Multiple Ravel, Daphnis et Chloe Suite 2 Seminar Vaughan Williams, English Folk Song Suite (1923) Seminar Vaughan Williams, The Lark Ascending (1921) Cover Whitacre, October Rehearsal Arr. Wilberg, Come Thou Fount of Every Blessing Rehearsal Webber, Highlights from The Phantom of the Opera (1986) Performance Weill, Violin Concerto, Op. 12 Cover Zare, Roger, Li Po Songs Performance Zare, Aerodynamics for Chamber Orchestra (World Premiere) Performance
Page 2 Jordan Randall Smith Conductor Cover = Fully prepared for rehearsal and performance as asst. conductor or co-director Multiple = More than one separate conducting scenario (performance, rehearsal, or seminar) Performance = Rehearsed and performed in public concert Rehearsal = Conducted in rehearsals only Seminar = Conducted in a conducting seminar or workshop
List does not include solo, chamber, or orchestral works performed as percussionist, works prepared as assistant conductor, or works studied privately. Some discretion was used as to whether to include works of the 20th century that do not significantly employ sufficiently extended musical challenges beyond those found in the standard 19th century repertoire. Page 3