Professional Documents
Culture Documents
As we travel more, farther, and faster, our need for food travels with
us;
how we eat, what we eat and with whom we eat change along the
way.
Project Description
From stagecoaches to jetliners, the different ways we travel is reflected through
unique and varied culinary traditions. “Food on the Move” explores the history
and relationship between travel and cuisine. Through the dynamic combination of
an exhibition and public programming, this project will examine social and cultural
trends in the United States through different modes of getting from one place to
another and their individual foodways.
The Exhibit
The “Food on the Move” exhibit will focus on how food is consumed by
travelers on stagecoaches, ships, trains, automobiles, and planes. As
human beings have developed different modes of travel, the food industry
has adapted to make travelers feel at home. The ability to enjoy a
traditional family meal at the dining room table is nearly impossible when
you're coasting on the highway or soaring thousands of feet above the
ground. From dining cars on trains to catered meals on planes to the drive-
thru restaurant, the food industry has adapted to accommodate travelers at
mealtime. This exhibit will explore these changing dining practices while
considering the following four questions:
1) Who is moving and by what mode of transportation?
2) Who prepares and serves the food?
3) What kind of foods are eaten and how are they consumed,
based on different modes of transportation?
4) What are external influences driving changes in travel cuisine
and taste?
In addition to these questions, the exhibit will examine culinary variations
across communities, the introduction of ethnic food into American travel
cuisine, and the class dynamic underlying the ways food is prepared and
made available for consumption.
The exhibit will be installed at the Culinary Arts Museum at Johnson & Wales
University, covering the exhibition space adjacent to and including the Art
Deco-style bar and the 1833 Stoddard Tavern Tap Room. The research and
objects for these displays will draw heavily on the strengths of the
museum’s archive and collections.
Public Programming
The public programming for “Food on the Move” will break with traditional
museum models by extending the exhibit beyond the museum to the actual
modes of transportation being examined. Interpretative panels and
navigational materials including cell phone tours and interactive online
scavenger hunts will lead participants to locations where travel and food
intersect within the Providence community. Panel discussions and a film
screening will expand upon the content of “food on the move” to explore
topics such as the sustainability and ethics of food production and
transportation. Food-based programs hosted at the institution will use the
skills and expertise of the Johnson & Wales culinary student community.
Target Audiences
Work Schedule
In order to ensure efficiency and a manageable workload for all project
participants, the project has been divided into two teams – an exhibit team and a
programming team. Each team will work individually to develop content and to
delegate tasks to its team members, but the teams will be in continual
conversation regarding their research, planning, and progress through project-
wide meetings and frequent blog updates. While the two teams are working
separately, we recognize that the success of the project relies upon the content of
both teams being in dialogue with one another.
April 15, 2010 Exhibit Opening and Programming Launch at Johnson &
Exhibit Opening Wales
May 15, 2010 Programming team
Programming concludes any events
Conclusion related to public
programming.
Organizational Plan
Project Leaders
Sara Emmenecker, Elena Gonzales and Janet Zwolinski
Exhibit Team
Elena Gonzales, Amy Johnson, Heather Lee, Meghan Townes, Anna Moir and Shana
Weinberg
Programming Team
Krystal Appiah, Erin Boyle, Kathryn Higgins, Lucia Lopez, Adrian Moore, and
Kaitlynne Ward
Documentarian
Erin Boyle
Project Budget
Exhibit Expenses
Conservation In kind (Johnson & Wales University)
Exhibit Acquisition In kind (Johnson & Wales University)
Fabrication $6000
Image Permissions $ 500
Supplies/Installation In kind (Johnson & Wales University)
TOTAL $6500
Programming Expenses
Advertising Space $1500
Cell Phone Tour In kind (Apple)
Film Screening $ 500
Graphic Design (website) $ 500
Project Opening $2000
Programming Honoraria $ 300
Programming Supplies $ 200
TOTAL $5000