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There was a shapely noticeboard on the right: “Our vandalnow entertains himself not by smashing the glass, butstealing the notices. There are some sad people about.”This was the only notice. Not stolen yet. The sheet of woodto which it was attached rippled with dampness. A wave passed through me. I stumbled down the incline. A turningto the right and I thought I saw a kind of dread placeovergrown, at the end of a cold/cosy road among a ruin of shrubs. A boat named Cho Cho San. A house called TheChalet. I struggled through the clutching stems and slippedin the mud, leaned against an ivy-scarred brick wall, likethe sucker-torn head of a Sperm Whale, the ground fallingvertically away 40 feet, a wire mesh fence wrappedsomewhere inside a low wall of vegetation, but I couldn’tquite see it, nor where exactly the ground gave way toemptiness. Be careful… On one side of me were the ruinsof garden furniture, a stock of maybe twenty long sticksleant against an out-building, a snap of cast iron guttering.I’m on a cluttered platform, beyond the fence of furze thereare long stems with heads full of seeds, and 40 feet belowis the railway, the level crossing and the ends of the platforms of St David’s Station; a burger van, doing quiettrade, is suddenly surrounded by two vanloads of police inyellow and black, fluorescent wasps clustering. Onceserved, they stand, clumped, not changing their spatialrelationships, for maybe half an hour, as I watch unseen – the women with their hair pulled back hard. The state atrest. A city acquiescent enough. Two trains cross – asleeper and a freight train. I lean against the wall and thedampness spins around, the seeds swirl, I finger the ivyscars but I can’t focus on them for very long. One copper
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