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The Project Gutenberg eBook, A Popular History of the Art of
Music, by W. S. B. Mathews

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Title: A Popular History of the Art of Music
From the Earliest Times Until the Present
Author: W. S. B. Mathews
Release Date: January 5, 2007 [eBook #20293]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK A POPULAR HISTORY OF THE ART OF

MUSIC***

E-text prepared by Juliet Sutherland, Linda Cantoni,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net/c/).

Thanks to Alex Guzman
for help with the modern transcription of neume notation.
A POPULAR HISTORY
OF THE
The Project Gutenberg eBook, A Popular History of the Art of Music, by W. S. B. Mathews
1
ART OF MUSIC
From the Earliest Times Until the Present.

With Accounts of the Chief Musical Instruments and Scales; the
Principles and Artistic Value of Their Music; together
with Biographical Notices of the Greater
Composers, Chronological Charts,
Specimens of Music, and
Many Engravings.

BY W. S. B. MATHEWS,
Editor of "Music" Magazine,

Author of "How to Understand Music," "Studies in Phrasing," "Twenty
Lessons to a Beginner," "Primer of Musical Forms," Associate
Editor of Mason's "Pianoforte Technics," etc., etc.

CONTENTS

CHICAGO:
THE "MUSIC" MAGAZINE PUBLISHING CO.
1402-5 THE AUDITORIUM.

Copyright by W. S. B. Mathews, 1891.
TO
DR. FLORENCE ZIEGFELD,
President of the Chicago Musical College
THIS WORK IS
RESPECTFULLY DEDICATED.
PREFACE.
ART OF MUSIC
2

HAVE here endeavored to provide a readable account of the entire history of the art of music, within
the compass of a single small volume, and to treat the luxuriant and many-sided later development with the
particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to
the times of the reader.

The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen
that I have attempted to cover the same extent of history, in treating of which the standard musical histories of
Naumann, Ambros, F\u00e9tis and others have employed from three times to ten times as much space. In the nature
of the case there will be differences of opinion among competent judges concerning my success in this
difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity
with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five
years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard
histories\u2014those of F\u00e9tis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo
Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs
in all the leading modern languages.

I have divided the entire history into books, placing at the beginning of each book a general chapter defining
the central idea and salient features of the step in development therein recounted. The student who will
attentively peruse these chapters in succession will have in them a fairly complete account of the entire
progress.

W. S. B. MATHEWS.
Chicago, May 5, 1891.
[Pg 4]
LIST OF ILLUSTRATIONS.
PAGE.
Chart of Greatest Composers
11
Chart of Italian Composers
12
Chart of German Composers
13
Pianists and Composers for Piano
14
King David Playing the Three-stringed Crwth
24
Egyptian Representations, 4th Dynasty
28
Bruce's Harpers
30
Harp and Musicians of 20th Dynasty
32
Lyres Found in Tombs
33
The Project Gutenberg eBook of A Popular History of the Art of Music, by W. S. B. Mathews
PREFACE.
3
of 00

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