Our Commonwealth - January E-News from Preservation Massachusetts
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Who are the Circuit Riders?
Interested in learning more about ourCircuit Riders?
Find out which one is apublished author, studying motels alongRoute 66 and who grew up in aneighborhood designed by Mies van derRhoe by visitinghttp://www.preservationmass.org/staff.shtmland meet the people are activelybringing preservation acrossMassachusetts!
shortage of knowledgeable preservation professionals.From my perspective as a Circuit Rider and someone relativelynew to the field of preservation, the Wollaston Theater is not onlya building to be saved, but an opportunity to explore the issues ofdiversity, relevancy, and communication that characterize thehistoric preservation field. The field has worked hard in recentyears to broaden both its participants and the types of resources itcelebrates, but there is definitely more work to be done. Ridingthe "Circuit" around eastern Massachusetts has shown me howfew new Americans are engaged with historic preservation. And Idon't believe that this is primarily because the buildings oftenrepresent Anglo-American history or because historic preservationis a luxury business, but because preservation organizations havefailed to create sustained and meaningful relationships with newAmerican individuals, groups, and organizations.It also seems to me that historic preservation may be in a bit of anidentity crisis, which makes this a great time to start talking aboutrelevancy, diversity, and the future of this field. In its struggle toexplain itself (and support itself financially), the field is looking tothe environmental movement, to modernism, and to financialincentives, to name just a few, in order to make its case to theworld. But at its core, the field is about remembering,demystifying, celebrating, and criticizing our past. It's a field ofmemory, and as this country's collective memory changes toembrace the narratives of a broader population, so must theparticipants in the work of preservation. I believe that theWollaston Theater and cases like it are a golden opportunity forPreservation Massachusetts, since they give us a chance to listento new voices and engage new partners in the act of rememberingand interpreting this country's history. More importantly, I alsohope that these kinds of partnerships will reenergize the field ofpreservation - a field that means so much to me, but can feel soremote to many - and help it forge a more modern, inclusiveidentity that reflects the critical importance of this work, now andin the future.
Anne Dodge is the Circuit Rider serving Metro Boston, Central and Eastern Massachusetts. The Circuit Rider Program is in partnership with the National Trust for Historic Preservation.
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