I wonder howmany picturesexists of Geyser?And Gullfoss?Thousands. Maybemillions. And overtime, we tend toforget the sheerbeauty of theGeyser. The imageevolves into asymbol. A symbolthat we decode inless than a second.If I show you apicture of Geyserforonly 0.2 secondsI’m sure you wouldrecognise it. Butcould also tell mewhether it wastaken on a sunnyday? Could you tellme if the springhad one, two orthree tops? Whatabout the bluelagoon? Would youask me if you couldsee the pictureagain? Or wouldyou just say, “Yeah,that’s a nice place.”It seems as if weare no longer ableto see the actualdetails within theimages of
icelandiclandmarks. And Iwant to changethat. Buthow?How can I create an im-age that once again willmake people stop. Animage that makes peoplego closer. Create a scenethat makes them wonder“Does my world reallylook like that?” Theeasy choice would beto fuck up the col-ors. To give themall that unnatural“Wow!” from thecommercials. Orto take picturesof road acci-dents, heavyindustryor abandoned farms.But that would just be
Freeying Photoshop
and provocation in thename of the Holy Art-ist. Not my mission.I want to extend thephotograph beyondwhat we are used toand at the same timekeep its photographicneutrality. A methodto record every, singleminute detail in my sur-roundings and then beable to visually displaythese results in a simpleand clear manner. To beable to take it all in, likea breath of fresh air, andthen proudlyexhale, say-ing: “This is ourworld - ain’tit grand?”. Andwhat I foundeven extends the usualwidesreen panoramas.
10mm sh eye lens? 180degree eld-of-view?
Nope. Much more thanthat. How about 360
x 180? A snapshot of
every single ray of lightmeeting your eyes...it’spossible.
The Idea
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