Page 1
Setting unclear
Panel 1
Close up on male hands.NARRATORI need a name.
Panel 2
Pull back a little to see a white male in a seatedposition. Comfortable, like maybe on a folding chair.Still can't see much of him. He is wearing jeans anda t-shirt.NARRATORA name is your identity, your brand. It is howpeople know you. Choosing your own public name isthe fastest way to tell the world who you are.
Panel 3
Close looking down at same hands over a muscularshoulder.NARRATORTo put your whole life into a word. Everything youare and were, and everything you need THEM to knowabout you. Who you are, what you're doing, what toexpect from you. To take all of that and put it inone word is hard enough for anyone to do.
Panel 4
Guy looking straight into the camera.NARRATORIt's even harder, though, because I don't know anyof that. How can I tell people who I am when Idon't know myself?
Page 2
In a parking garage, early evening. Kinetic and TheMonkey are climbing up through the middle parts. Kineticis the guy from the first page, but now he is incostume.
Panel 1
Birds eye view, looking down past Monkey's hand whichis grasping a steel support cable. The shot looksdown past him at Kinetic who is climbing up belowhim.MONKEY....."self" is an illusion. That's why you'refrustrated. Because you're trying to know whatcan't be known. There's nothing there to know.KINETICYeah, ok, that's not what I'm talking about. I'mtrying to...
Panel 2
Shot looking up past Kinetic at Monkey who climbsdexterously ahead.MONKEY
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