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Course Syllabus
Course Information
3/D DESIGN FOUNDATIONS
ARTS 2381.501
SEMESTER:
Spring 2007
TIME:
Thursdays, 7:00 PM- 9:45 PM
ROOM:
AS 1.110
Professor Contact Information
INSTRUCTOR:
PAUL BOOKER
OFFICE HOURS:
Before/After class, or by appointment
EMAIL:
paulbooker@sbcglobal.net(best way to reach me)
CELL PHONE:
(214) 537-0594 (use only in case of emergency)
Course Pre-requisites, Co-requisites, and/or Other Restrictions
No Pre-requisites
Course Description

Our world is integrally involved in shaping the space around us. How we interact with this space, how we organize that space and how and what we create within such a space are all critical issues that can become an artful exploration once we are aware of the aesthetics involved. From a cell phone to a marble sculpture, from an earthwork to a grocery store check out stand, our sense of design is governed by understanding and then manipulating the elements of form within a given space.

This course is designed to explore these elements (space, line, texture, shape, light, color and
time) through a series of \u2018hands on exercises\u2019. These exercises will address material character and
limitations, construction of form and techniques, and spatial ordering. We will also reference
historic sculptural design use and meaning, while encountering the conceptual ideas and
directions of the contemporary, 3-D art world.

This is a beginning introductory course and will be useful for any continuing art course as well as
servicing interests in understanding the criteria of perceptual 3-D design in computer imaging.
Student Learning Objectives/Outcomes
1. Students will establish a working knowledge of 3-D design vocabulary as applied to the
elements line, texture, shape, color, light, and space.
2. Students will develop an understanding of spatial organization, perspective and object analysis
through historic reference and problem initiatives.
Course Syllabus
Page 1
3. Students will demonstrate an understanding of basic material properties and construction
techniques through applied applications.
4. Students will evaluate project objectives through critical dialogue involving associated
vocabulary terms in both an individual and group situation.
Required Textbooks and Materials
There will be no textbook required for this course, although readings may be distributed along
with handouts on various processes.
Course Materials

Sketchbook 6 x 8\u201d or 8 \u00bd x 11\u201d
Exacto knife w/ extra blades
Metal Ruler 18\u201d
Small cutting pad (approximately 12\u201d x 16\u201d)
2 sheets of colored posterboard
Small Hot Glue Gun w/ glue sticks
Extension cord (approximately 15 ft.)
(***more supplies will be required for specific assignments as the semester progresses.)

Assignments & Academic Calendar
Aug. 16

Class policies and procedures: Grading, expectations
Overall Goals and objectives of the class
Lecture: Introduction to the object/create vocabulary list definitions
Demo: the role of the object, a classroom discussion/investigation

Aug. 23

Review: Role of the object.
Assignment due
Tool use demo/ rules of sculpture room
Introduction of Project: Introduction to deconstructed object.

Bring materials next class.
Project due Sept. 13
Aug. 30
Class work: Begin work on project
Sept. 6
Class work: work on project
Sept. 13
Critique on Deconstructed Box Project.
Multiples project: introduction Project Due: Oct. 11
Assignment: Gather materials for project, write ideas in notebook.
Sept. 20
Class work: multiples project
Sept. 27
Class work: multiples project
Oct. 4
Class work: multiples project
Oct. 11
Critique on Multiples Project
Oct. 18
Lecture: Inside the Box: The illusion of 3 dimensional space.
Introduction of Final Project

Project Due: Nov. 29
Class Work: Begin planning your forced perspective box exterior shape.
Assignment:

Collect examples of architectural interiors.
Collage and draw ideas in notebook.
Course Syllabus
Page 2
Oct. 25
Class work: Begin work on creating forced perspective interior.
Lecture: fabrication and model building.
Nov. 1
Class work: ongoing construction.
Nov. 8
Class work: ongoing construction
Nov. 15
Class work: ongoing construction
Nov. 22
**No Classes- Thanksgiving Holiday**
Nov. 29
Present final project for critique
Grading Policy

Grading visual materials in the arts can often appear to be subjective, mysterious and down right
confusing. I am employing a system that has some gray area but that will hopefully give you a clear idea of
where you stand grade-wise. This assessment may not always be a failsafe representation of what you
know or what you have accomplished, though it will give you an idea of what is expected of you.

Below I have listed the evaluation categories and the criteria by which your grades are considered.
1.)
Objective of the Assignment
\u2022
Has the student addressed issues related to the problem in a manner that suggests an
understanding of the artistic concept and applicable material usage?
\u2022
Has one applied the previous assignment experiences to the present work?
\u2022
Has one made use of research and readings relevant to the problem?
2.)
Quantity of work
\u2022
How much time has a student put into the production of the work?
\u2022
How much time has been put into the research and preparation of the work?
\u2022
How much has one followed through with his/her idea and what resolution has been
made after critique?
3.)
Creativity of Concept and Application
\u2022
How much originality and creative manipulation has been projected into the process and
concept of one\u2019s solution?
\u2022
Does the solution suggest prospects for future development?
\u2022
Has the student combined other resources in an inventive way?
\u2022
Has there been an element of risk involved?
4.)
Attitude:
\u2022
Has the student found the problem challenging in an inquisitive and open minded way?
\u2022
Does the student ask questions, offer comments, listen and focus their attention?
\u2022
Has the student participated in the critique in a constructive way?

Aside from all these categories, I do take into account various learning styles and talents.
Improvement weights more heavily on your grade at the end of the semester than at the first, with a lesser
emphasis on talent and ability. Those with talent, ability and experience will be expected to rise to the
challenge through effort and the unique application of concept.

Assignments will be given a numerical grade at the time they are due, based on the evaluation
categories. This grade may be altered as one finishes or refines the assignment.
Course Syllabus
Page 3
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