Contrapuntal Elaboration of Static Harmony, a foolish term used in some jazztextbooks. The use of moving inner voices to give propulsion to a chord that lasts for awhile.
(1) The chords of a tune. 'Playing' or 'running' the changes means using suitablescales, etc., over each given chord of the tune. Determining the exact changes to use is a bigpart of preparing a tune for performance. (2)
(q.v.) for short.
an old term for the bridge.
two soloists, such as the trumpet and sax, taking alternating 4-bar phrases (or 8, or 2).See
(1) any musical score. (2) a special type of score, used by jazz musicians. Only themelody line, words (if any) and chord symbols are given. Clef, key signature and meter aregiven once only, at the beginning. The standards of musical notation and calligraphy are low.Details are often scanty or inaccurate, which encourages the musician to amend andelaboratethe chart for his own purposes. Every jazz musician has his own book of miscellaneous charts.
technical ability, to execute music physically and to negotiate chord changes.Distinct from the capacity to have good ideas, to phrase effectively and build a solo.
The harmony at a given moment. Loosely, a group of 3 or more notes playedtogether. Strictly, a chord is the basic unit of harmony, regarded
as having a givenroot and specifying some other tones at certain intervals from the root, without regard to theactual voicing of the notes on the piano (see
the root, third, fifth and seventh of a chord, as opposed to
. (Anillogical term.)
Pertaining to or derived from the chromatic scale, which includes all 12 tones tothe octave.
is a vague term referring either to the use of many alteredtones in the chord, or to the use of chromatic root-movement in between the given chords.
One complete cycle of a tune, one time through from top to bottom.
one in which the chord tones are bunched together, generally within an octaverange.
(1) A portion of a tune which seems like a tail, or extra measures, added to the last Asection. It is repeated for every chorus, however. (2) An ending for a tune, used only onceafter the final chorus. There is often confusion in written charts as to whether a coda is 'everytime' or 'out-chorus only'. Some charts, to save space, are written so that the tune appears tohave a coda, but it's really just a normal part of the tune.
the style of the early 50s, taken up by many white musicians and popular on collegecampuses. The basis was bebop, but the fastest tempos were not used and the sound was quietand understated. Miles Davis was one of the main originators.