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In Its Place.
We need reasons why things happen. If we don't, we feel like that event or
reason why we have to grieve. If our six-year old son wins an award at school,
we want to know why. We want to know why, so that we can celebrate. Our
with mystery. We say we are, but we want to know how mystery works and
Mystery can be painful. Not knowing why your husband died on the operating
table could ruin you for life. Or why a tornado chose your house and not the
one next door, or why war parades itself across our television screens. The
act of knowing leaves us helpless, confused and weak. Well, that's what we're
taught to believe. When we begin to look inward at our frailty we began to ask
the question 'Why?' And not simply, 'Why me?' but 'Why did this happen?
Where did this come from?' And then comes the 'Why me?' You see this
Job essentially loses everything he could - his house, cattle, health, marriage,
children and respect from his friends. And he begins to ask 'Why' which then
leads to 'Why me?' Why? Seems to always lead to the Why me? Then
according to the author of the story, the divine responds to Job's inquiries by
pointing to creation and the origin of that creation. Now, if you just read this
Christian theology all of your life, you might assume Job is being reprimanded
by God. What we don't get is the tone in God's questioning or the Hebrew
depressed Job, God begins asking 'Where were you when I?' Most would
read that as a frustrated retort to Job’s line of questioning. Yet, when re-
rendered from the Hebrew it would sound more like this 'I was there when...'
The first rendering seems almost accusatory while the second one seems
laced with drips of compassion. The author was trying to make sense of why
humanity is frail and couldn't come up with a viable answer. (Note: To some
historians, Job is the oldest book in the Tanakh.) So, to better understand
their frail condition, they had to give it a name and an origin. The Hebrews
were storytellers; the story was always saying something more than what
seemed obvious. This is where the traditional and popularized version of the
story of the 'Garden of Eden' comes into creation. It was created to explain
Some historians have found similar writings that are directly linked to the
inspiration of the Adam and Eve account, which dates back almost 22
centuries before the manuscripts of the The Garden Account were found on
the Mesopotamian Cylinder Seals (“The cylinder seals were used from the 3rd
tablets and bullae, that is lumps of clay that sealed doors or closures of
closure of the door of a storeroom, affixing one's seal to a clay vase as a sign
of ownership, etc.)”.1 So the origin of the story of Adam and Eve was hidden
on someone’s personal seal and found its way onto sacred pages, and now
like taking a child’s homework assignment (one with a name on the paper, the
‘stamp’) and burying it for someone centuries later to find. Then the
1 http://sistinechapel.va/3_EN/pages/x-Schede/MEZs/MEZs_Sala08_02_032.html
archaeologists who find it claim it to be some sort of holy work2. (This isn’t to
minimize the sacred history within which the narrative of Adam and Eve is a
There are several interpretations of the story of those who lived in the Garden.
pluralized in Hebrew, so that ‘man’ really signifies the word for ‘men’, or
properly stated, mankind. In this ancient story, we have the assumption that
all of mankind once closely walked with the divine and communed with God.
Some ancient Hebrew scholars surmise that the snake was the ancient
Palestinian symbolism for the brain or the seat of thoughts or maybe even the
act of thinking. And so the story becomes about a people who were learning
to think, or depended upon their own experiences to lead them, rather than
that of the Divine experience. And so, in this instance, sin becomes a
metaphor for self-reliance and has nothing to do with eating fruit. The fruit is
simply a metaphor.
Another interpretation is that the story itself is metaphor for something bigger,
and each prop or character in the story represents something else. Take, for
example, the Tree of Knowledge of Good and Evil, which tends to be a big
player in the story when it’s referenced in religious discussions. Yet, some
library. In fact, the word for the phrase in Hebrew is ‘Etz Hadaath3’, which
that is learned (from a book) and knowledge that is gained (from life
Freud posited that the Garden experience was more about maturity and
learning, and that all decisions have a direct cause and effect clause invisibly
attached. And so, what we have is a story of two teenagers4 who are learning
what it looks like to make beneficial decisions, even ones that might hurt. And
the fruit is the metaphor for the process of making and learning self-sacrificing
incidents around the tree describes, in an abstract way, the splitting of the
human consciousness into the limited context of conscious thought and the
There are some within the New Age movement who would say that the story
And so the story about the Fall of Man becomes about how we lost the
awareness that we were always connected with the divine. And so then, in
that instance, sin becomes about accepting dualism as reality and about how
we are somehow permanently disconnected from God. But, what if that wasn’t
Christian Theology
4 there is no direct reference to this in the scriptures, but merely an assumption because the age of
adulthood in Jewish life was what we now would call the teenage years.
5 http://en.wikipedia.org/wiki/Dualism
All of the above are good explanations of what might have happened,
destructive and pervasive that flows through the veins of all of humanity - an
into an explanation of why we are frail. And yet, most of the previous
than a cancer coursing through the history of humanity. The Eastern and
Western view of the story seem at odds with one another. The authors of the
story seem okay with it being a metaphor for something bigger, something
more inviting rather than repelling. Most Western theologians see it as a story
where hope goes out the window and we helplessly chase after it. The
Eastern view makes it about transformation. The Western view focuses on the
details so much that it takes the depth and power out of the narrative and
turns us into victims of our own inescapable folly. So, where do we go from
here?
I think Christians may have to accept that sin isn’t the reason why we’re frail.
That frailty isn’t even an enemy. That frailty is simply on the journey with us.
To teach us, hold us, cry with us. And to transform us into whom we are
meant to be. This last point is so important to understand because the word
sin isn’t epidemic. The Hebrew word for sin is chait7 , which when modernized
speaks of someone ‘not making it to their destination’. But the word itself is
6 I use the word metaphorical here to include the small possibility of the literal story, but mostly I use
the word to include the larger contextual possibilities. I tend to use the word myth in this work as
Joseph Campbell does to mean ‘a larger story’. The story is too layered to simply accept one
interpretation as the right one.
7 http://www.aish.com/jl/j/48964596.html
directly talking about personal potential. And so sin isn’t what’s wrong with us,
sin is the process whereby we learn to live out who we are meant to be. It is
about how we can grow rather then how we are impeded. It’s about who we
cheapen our experience of life and the divine within it; maybe we can agree
that we might have got it wrong. And that we might have got it wrong for
thousands of years. And that’s okay, because life is about maturing and
one we can make now is to let go of what we have been taught to hold onto
so tightly. That maybe we need a clean cut divorce from some of our
resurrection. Because, honestly the word sin in its orthodox context just isn’t
As you have seen here, sin is about who we are becoming. So maybe we
And this would seem to offer hope to those we reach out to. To those we
might call friend. Even to ourselves in time of need. And this also re-invites
everyone to see that life is full of potential. That even in the midst of our frailty,
we can still chase after who we are meant to be. That we can dance dances,
drink drinks, live life, love scandalously. This is what it means to live out of our
potential.