"Remarkable Creatures" by Tracy Chevalier
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Tracy Chevalier
may never recapture the commercial success of her 1999breakthrough, "Girl with a Pearl Earring," but over the subsequent threenovels, she’s found her métier. Her new "Remarkable Creatures" dabblesin science, rather than art, and there' precious little of the sex and romancethat gave "Pearl Earring" its kick.But in this new work, based on historical figures in early 19th century England, she hascreated a vivid and stirring portrait of a friendship--as two women from very differentworlds find themselves and each other while hunting fossils."Remarkable Creatures" doesn't start out with a friendship. In fact, both these charactersare initially settled on their isolation. A survivor of a lightning strike, working class MaryAnning has always been an oddity to her neighbors in the seaside village of Lyme Regis.Part of what sets her apart is her ability to find "curies," or fossils, along the shore, andafter her father dies, it's these curiosities--sold for a penny a piece--that keep her familyfrom the workhouse. Elizabeth Philpot, the book's other narrator, arrives in this modestresort destination determined to make her way alone.As she did somewhat clumsily in her 1997 debut "The Virgin Blue" and much moresuccessfully in 2001's "Falling Angels," Chevalier depicts the tenacity of femalefriendship during difficult times. The two narrators of "Remarkable Creatures" areseparated by birth and education, and their relationship begins with all the expectedprejudices.Elizabeth and her two unmarried sisters are settled there to live in reduced but respectablegentility after their brother marries and takes over the family's London house. While heryoungest sister Margaret, still hoping to marry, goes to assemblies, and Louise takes togardening, Elizabeth discovers fossil hunting.A self-possessed bluestocking, she finds a substitute for her beloved British Museum infreshly unearthed ammonites and belemnites. After meeting Mary on the beach, sheintroduces her to the studies of early anatomists and evolutionary theorists like GeorgesCuvier – ultimately making the young fossil hunter known to Cuvier and his colleagues,as well.These early assumptions help delineate their voices, but as their narratives alternateChevalier also captures subtler differences in her protagonists, from their outlooks on lifeto their evolving impressions of each other. It's Mary's skill--her ability to see fossils in
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