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david rockefeller center for latin american studies, Harvard university
ReVista
harvard review of Latin america
fall 2009/winter 2010
 It ’s  Fi lm
n n  A m
 
Editor’s LEttEr 
Cve pap:p,
Motorcycle Diaries
(2004),p  Paula Pandini, cuesf Fcus Feaues; cene,Caninflas in
Ni sangre ni arena
(1941), p cues f Film-eca UNAM Cllecin, Meic;m,
Castro 
, dieced  AlejMuillansk, Aenina, 2009.
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Merilee S. Gridle,
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ReVista
 
harvard review of Latin america
 
Volume VIII, Number 3 
Published by the David Rockefeller Center for Latin American Studies 
f ,   . a         i h , w   . i        ,    h      h  h  . i  h   wh ,  h     h    h  w. bh      , whh   -,   i’  h    .i        q    w  h   (h h -  w   hh h ). s i w  wh  q     h     h    w h . “l  h  ,” “b i’   ...” “J  ?” w   h w. W h  h   ?s i    h   .i h    h   , w—    h H f ahd H g  H r l  l p b e—h   h     l a, h h    s  l  (   h  !). th  h    .i   w  q   . i   h    l a   h,   h   l a   l a. a i z h h w      h    h . th  w h 1952
Mxcn Bu Rd 
,
subd l Clo 
,  l bñ,  sh- . i w  j w  h h  h     ,  i     ,      h w h wh  -   m’     h  h h h’ h.th h  h h  h   wh l a. th 1966 
Bl of algr 
,  g p,    nh a   h a W  fh - . i’  h     z ,   h   h w i   c a—h h    h .b h i      w h. i     h  ,   ;   w   . i, h   
RV 
— j h   —h     . W’ h h     : m, a-, bz, ch  c. a,  h   h  !th  h      -, l a  l a-,        . b  i w h , i’   h  wh   h h  h   hh h    h h h .o  h  w   h   h   h  w   h w  h
RV 
h  ,   . b       -, w w  h w  2009-10   h   . W h h   - .mwh,  h w    h   
RV 
<h://www.. h./>  
RV 
 w   h l a  h h h    .s   h !
 
fall 2009/Winter 2010
rv 3
PhotogrAPh by
 
fall 2009/Winter 2010
rv 3
Lain Ameican cinema as undene a emakale ansfma-in since e mid-1990s, wi Aenina, bazil, Cile, Cuaand Meic in paicula emein as vian cenes f sme fe ms innvaive and imainaive filmmakin in cnempawld cinema. A asin f pliicall caed cune-cinemain e 1960s and 1970s, Lain Ameican filmmakin eneed aln ansiinal peid duin e 1980s a aupl ended wie emeence in e 1990s f un and feuenl icnclasicdiecs suc as Alfns Cuaón, Lucecia Mael, Wale Salles,guillem del t and Pal tape. tis new eneain fincedil alened diecs as edefined wa Lain Ameicancinema means da u a d f wk a ffes ne fe me eciin pics in ecen Film Sudies, as esified  e fascinain sclasip and ciicism ffeed in is specialfilm issue f
ReVista
n wic I am pleased and ned  aveseved as a special ediial advis, aln wi bad Epps.Inees in Lain Ameican cinema as een uildin f uiesme ime a havad Univesi, as I discveed wen I aivedee as Diec f e havad Film Acive jus au ee easa. I is paiculal ewadin  include seveal pieces  upand cmin sclas and isians f Lain Ameican cinemafm havad suc as hume Delad alnside e wk fln-esalised and influenial seves f Lain Ameican filmfm e havad cmmuni suc as Niclau Sevcenk and visi-in pfess in rmance Lanuaes and Lieaues gnzalAuila. tee ese wies eveal e amazin divesi fcnempa Lain Ameican cinema and e was in wic epliical leac f e pas as n een s muc aandned aseinvened in muliple and aisicall fascinain was. Duin mineview wi leenda Aenine pduce Lia Sanic I wasiniued  e elucance  speak f a pliical aenda, lealne an uncnscius, a wk wiin e
nuevo cine argentino.
 Sanic’s undesandin f e new piiies f e une en-eain f filmmakes and e me sule pliical eise f eiwk, ffes jus ne eample f w e cnempa cinemaeuies a diffeen se f ciical ls an we wee peviuslaccusmed  f sudin Lain Ameican film.A e havad Film Acive we ave een eadinailfunae  ave sed suc eciin un cnempa LainAmeican filmmakes as Lucecia Mael and Cals readas aswell as impan veeans suc as Je Fuad, all f eendedvisis and cinemaeue especives. tese visis ave akenplace wiin e cne f a lae pjec ee a e univesi;we ave canneled an eneeic fcus n uildin esucesand inees in Ie-Ameican cinema a havad in an Ie-Ameican film cmmiee wic I lead ee wi bad Epps,Pfess f rmance Lanuaes and Lieaues and Cai f eCmmiee n Deees f Sudies f Wmen, gende, and Seu-ali ee a havad. Man f e aus ee in is issue—amn em, hume Delad, Daniel Auie, Clmence Juë-Pas, and bun Caval—ae memes f e cmmieeand ieless pmes f film a havad.A e Acive we ave een seadil aein Ie-Ameicanfilms—includin a maj new cllecin f Aenine films fm e
Film i Lati America
 An Introduction 
By HadEn GuEst
first takes

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