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P. 1
Plane

Plane

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Published by hollismickey

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Published by: hollismickey on Apr 14, 2010
Copyright:Attribution Non-commercial

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10/24/2012

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 PLANE
 
 Plane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane PlanE Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane PlanePlane Plane Plane Plane Plane Plane Plane Plane Plane Plane Plane
 
The language machine— Light against the surface:winged balsa,smooth steel,flat words.Skimming across the horizon:almost without contact but with touching still—  just enough to level the uneven edges,to grind down the graininto intelligible linesinto patent forms.Iterations are churned through the gearsgenerated into graphemes and phonemes— those structural simplicities of authorship by penor tongue.The compression of air makes the space of letters— anxious black imprints on whitegeometric residue of violent action:of handof mouth.These dark markings stretch out across the planar strata of the page,expand ad infinitum against the air’s glossy veneer.A field of endless iterations, producingcontinuous writings of the word.Such flatness is perhaps only illusory but only perhaps. Perhaps the surface indeed so smooth.The letters come together in so many lines,creating the graphical rendering of atwo-dimensional existence.Against this scenography the machine whirrs with ahum, an echoing murmur, of arrant shapes pressed into horizontal fixity.Its gleaming metallic frame a Futuristic testamentto manifest typographyspoken without affect, but with extreme force.Lost voices are recovered in moments of the mechanism’s dimensional silence:found in the space resonant, dense stillness that isnot stillafter all.

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