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Page 1
Max goes shopping..
Panel 1
Annemarie is at work, behind the counter at a camerastore. She is handing a receipt to a customer. Thecustomer is a guy with a bushy beard and a paddedvest.ANNEMARIE...and good luck with the telephoto. I've heardlots of good things.CUSTOMEROh, thanks.
Panel 2
Shot from where the cash register is, across the roomfrom the door. We see beardy walking out with thedoor wide open. Just behind him, Maxwell Murder ispoking his head and shoulder and leg into the door.The customer does not notice him. If you can fitAnnemarie into the shot, she is not paying attentionto the door.
Panel 3
Similar to panel 2, but now the door is closed andMax is standing in front of it. Not dead center, hisspine is along the edge where the door closes. He isin shadow and his right arm is behind his back.
Panel 4
Close up on his right hand behind his back, turningthe lock on the door.SOUND EFFECTclick
Panel 5
Shot of Annemarie looking up in surprise from thebook she was reading.ANNEMARIEOh. You're the guy from the coffee shop, right? CanI help you with something.
Panel 6
Shot of the store, we can see enough to see for surethat it is a camera store. Max and Annemarie are bothin the shot, he is about half way over to where sheis standing.MAXWELL MURDERI think so, I am interested in pictures.ANNEMARIEWell, this is the right place. Do you know whatkind of pictures you want to take?MAXWELL MURDERNot 'taking' pictures. I'm interested in the kindsof pictures people send over email. You know thekind,
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Shot of both of them in profile, Max is now close andhas his hands on the counter. He is smiling andAnnemarie is leaning back out of fear.MAXWELL MURDER....with two girls acting all sexy? Like maybe youand that superhero girl, Hourglass. You know thekind I mean, right?ANNEMARIEWhat do you want?
Page 2
Annmarie makes a call.
Panel 1
Shot from roughly Annemarie's point of view, lookingat Max right across the counter from her. He isleaning his head back and to the side, giving her the"crazy eye". His giant "MURDER" neck tattoo isclearly visible.MAXWELL MURDERI want you to call her, and tell her to come hereright now.MAXWELL MURDERIf you think it'll hurry her ass up, you can tellher....
Panel 2
Close shot on Max's eyes (or more of his face if thatlooks better). His expression is self-satisfied, butcurious. Like he is fishing for a reaction.MAXWELL MURDERI'm going to kill you.
Panel 3
Shot of the two of them, still facing each otheracross the counter. Her hand is reaching toward thestore phone.ANNEMARIELook.... I don't... I don't...
Panel 4
Close up on Max's fist, with tats glowing, smashingdown on the phone, completely destroying it.SOUND EFFECTWHAM!
Panel 5
Another shot of both of them. Max's hands are stillglowing.ANNEMARIEPlease don't. Please.MAXWELL MURDERUse your cell phone. I want her to see who'scalling. In case you're too hysterical to talk
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right.
Panel 6
Shot from behind Max, looking at Annemarie. She hastear rolling down her cheeks and she is dialing hercell phone.
Panel 7
Similar shot, but now Annemarie has the phone up toher ear. She is just staring at Max in terror.ANNEMARIEIt's ringing.MAXWELL MURDERGood. Get her here. Now. Or I kill you.
Page 3
Back at the ranch
Panel 1
Full page shot of Kinetic, Hourglass, and Red Lion onthe porch of his house, just like last issue. Bigclear shot. Kinetic is on the phone and lookingterrified.KINETICWe have to leave. Right now!HOURGLASSWhat? Why?KINETICThe guy who shot you has Annemarie. And if youdon't go there right now, he's going to kill her.
Page 4
Call to action
Panel 1
Shot of Hourglass looking shocked. Kinetic is lookingdown at the phone.HOURGLASSHow do you know? What did she say?KINETICThere's a guy there at her work. He threatened her.We've got to hurry.
Panel 2
Hourglass looking conflicted.HOURGLASSJust like he went after Sidekick trying to get tome. It has to be the same guy.
Panel 3
Kinetic is stepping off the porch, moving withdetermination. Hourglass is hesitantKINETICHourglass, come on. He's got Annemarie. Can you useyour powers to get us there faster.
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