26, Oct. - 7, Nov., 2001) held at Makuhari Messe in Japan.Three booths for WPC and one booth for the Motor Showwere selected for the experiment in cooperation with eventorganizers of the booths.
2.1. Articulationof Planners’ Intention
To investigate what planners intend to convey to visitorsand how they designed a booth to express their intentions,we had interviews with the planners in advance. Planningpapers were obtained in advance to extract messages andthemes that the planners try to convey to visitors. The ques-tionsasked totheplannersare basicallysame: “howdidyoudesign the booth to express your concepts?”
2.2. Recording Units for Collecting Protocol Data
To collect protocol data, two wearable computers were pre-pared
1
. Because of sponsors’ intention, a normal digitalvideo camera was adopted for collecting most of the pro-tocol data. But this experiment de
fi
nitely shows validityof real-world application of wearable computers. In factDentsu Inc. adopted a wearable computer for other investi-gation in marketing
fi
eld.9 subjects (one person for 3 sessions + one pair for 3sessions) at WPC and 12 subjects (one person for each ses-sion) at Motor Show were employed. Subjects are asked tolook around designated booth(s). After visiting the booth, adetailed interview was conducted. Its procedure is:1.
Retrospective reports with visual aid
: The subjectswere asked to report “what you look at”, “what youthink about it” and “what you do” along with VTRthey recorded as a memory aid. This interview iscalled “VA (Visual Aid) Interview”.2.
Questionsaboutthesubjects’ impression onthe event objects
: The questions were made based on the in-terviews with the planners and the planning papers.This is to investigate how the planners’ intention andthe visitors’ impression match or mismatch witheachother.3.
Keyword questionnaires
: A keyword list was madealso based on theinterviewswiththe planners andtheplanning papers. This is toinvestigate whatkeywordstheplannerspresentedwereimpressive andwhichkey-words the subjects could remember.
1
In cooperation with MIT Media Lab and Intelligent Cooperative Sys-tems Laboratory at Research Center for Advanced Science and Technol-ogy, the University of Tokyo.
3. RESULTS AND DISCUSSION
Though there are a lot of
fi
ndings that surprised the plan-ners, in this paper we are going to show two examples of a lot of unexpected
fi
ndings that are beyond the planners’expectation at Motor Show. These
fi
ndings devote to createnew knowledge, which is “knowledge reconstruction”.
3.1. Effect of the Other Visitors
The other visitors can provide “a context” that raises degreeof satisfaction of visitor. Following report was obtained:
A companion took a picture with a family. Both of thecompanion and the child smiled. My (= the subject’s) chil-dren also like cars. They would be delighted if I took themhere. That is a good idea.
This observed data was reported to one of the plannersand he hit upon a new strategy:
By inviting families that are customers of the company,the other visitors willfeel in a way mentioned above. More-over, the invitedfamilywillalsofeel better because they feel“they are invited as special guests” and this family can en- joy being a customer of the company, which will be great bene
fi
t to the company, too.
This is a good example of “knowledge reconstruction”.We call it “reconstruction” because implicitly they mightknow:
¯
A visitoris affected by anothervisitor at an event site.
¯
Customers are delighted if they are invited as specialguests.
¯
If customers like the company, it is bene
fi
cial to thecompany.Providing a real context connects these pieces of infor-mation. That means knowledge with “its real context” ob-tained through this analysis can support event-planning if itis properly reported to planners.
3.2. GapabouttheStagebetween Planners andVisitors
Normally event planners agree that length of a main stageshowshouldbe withinten minutes. Althoughlengthofvisi-tors’stayingata boothis usuallyinvestigatedwithquantita-tiveanalyses, thelengthofstayingatastage isleftunchecked.It is unchecked at which scene of a stage visitors leave, ei-ther. That means strategies of designing stages does not ex-istexplicitly
2
. Soitis worthwhileinvestigatingthelengthof visitors’ stayingand at whichscene they leave there. An ex-ample of analysis of a stage is described. One of the stageswas composed of six scenes with technical information and
2
Perhaps planners might havestrategies implicitly.
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