TOM AND ARTIE #1By Infinity-Anon

ONE

PANEL 1:

 We open to the shot of an arid desert. The ble s!y and bri"ht sn beain" do$n on the reains of a %ap belo$. The &ie$ has a portion of the $re%!ed %ap belo$' "reen tents torn p $ith lar"e %reatres o&in"aon"st the.

PANEL 2:

 This panel is do$n to the %ap $here $e "et a &ie$ of t$o %reatres. They(re both lar"e hn%hba%!ed' s%lar and standin" arond )ft $ith thi%! red s!in' t$o lar"e bla%! eyes $ith teeth sti%!in" ot of their a$s. One is standin" by the torn side of a lar"e tent' the other is seated ri"ht in the torn openin" %he$in" on a etal bo* %len%hed in its three fin"ered hand.

PANEL 3:

 +ae as panel ,(s des%ription bt no$ there(s a bino%lar otline arond the %reatres. 1 Artie Man these thin"s are "ly., To /o$ any are there0 Artie 2hhh..aybe fifteen or ten0

PANEL 4:

 We(re finally "reeted to the &ie$ of or prota"onists' side by side'$ho are $at%hin" the %ap fro a nearby hill. Artie is fa%in" the &ie$er holdin" bino%lars' the %artoon effe%t of his bla%! eyes are &isible on the lens. To is in &ie$ ne*t to hi holdin" a Bren-style assalt rifle $ith his lefthand $hile his ri"ht is holdin" a 3DA' he(s $earin" tan %ar"o pants $ith a tan neoprene ta%ti%al &est. Artie is in his sal WWII-style attire $ith an oli&e drab /BT shirt $ith three lar"e bttons do$n the iddle' oli&e drab shorts and %artoonish boots. 4 To +ays or ob5e%t of interest is in the %ap. 6 Artie Or ission is srronded by deadly onsters. This doesn(t see ne$ to e at all. Why %an(t $e e&er a 5ob soe$here ni%e0 7 To Desert isn(t ni%e eno"h0

 

8 Artie Not $hen sand is pra%ti%ally fillin" y boot.

PANEL 5:

 The panel no$ has To loo!in" do$n at Artie. Artie is ne*t to hipttin" his bino%lars into his sette ba%!pa%!. The si9e differen%e is ob&ios bet$een the as :ft To to$ers o&er 6ft Artie. : To /o$ do yo $ant to do this0 ) Artie /ole in one o&e. 1; To We(re not doin" that one a"ain.11 Artie Bt it(s fn< It(ll %lear the ot fast too<1, To It $ill blo$ p half the %ap<

 

TWO

PANEL 1:

 Artie is starin" p at To $ith a toothy sile holdin" a "olf ball stand' %artoon-style bob =Referen%e for bob http>>$$$.libertyne$s.%o>$p-%ontent>ploads>,;1>1;>%artoon-bob-pi%tres.5p"? and "olf %lb. To stares do$n at hi $ith his sal stoi% e*pression bein" eyes narro$ed and fa%e no&ed. The ni%orn(s pper andportions of his lo$er body are in the panel $hile only Artie(s pperbody is.

PANEL 2:

 +ae as before bt To has his oth open to spea! $hile the ba%! of Artie(s helet is seen as he o&es off panel.1 To No' Artie<, Artie I(&e already "ot the stff ot. Doin" it any$ay.

PANEL 3:

 The "olf ball stand has been pla%ed in the sand $ith the bob ontop of it. The fse is lit and Artie has his %lb raised ready to hit it off $hile To is in the ba%!"rond $ith his hand %lasped o&er his fa%e.  Artie @ORE<<<<<<

PANEL 4:

 Enter into a $ide shot as To and Artie are seen as sall shado$s on the hill $hile the bob "oes soarin" into the s!y headin" to$ards the %ap belo$.