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The Complete Titus Andronicus: An Annotated Edition of the Shakespeare Play
The Complete Titus Andronicus: An Annotated Edition of the Shakespeare Play
The Complete Titus Andronicus: An Annotated Edition of the Shakespeare Play
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The Complete Titus Andronicus: An Annotated Edition of the Shakespeare Play

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Titus Andronicus, like Hamlet, is a revenge tragedy but one that focuses on violence and horror[;] . . . its mood is one of revulsion (Bevington, Introduction). Despite parallels between Aaron and Iago and between Titus and Lear, the play extends the genre of revenge tragedy and becomes one of unremitting violence and bloodshed. Although the revenge is supposed to offer some type of catharsis, it is challenging to accept the unmitigated and almost purposeless violence of the play. It is small wonder that scholars have denied Shakespeare as the author.
LanguageEnglish
PublisherAuthorHouse
Release dateAug 27, 2016
ISBN9781524625900
The Complete Titus Andronicus: An Annotated Edition of the Shakespeare Play
Author

Donald Richardson

Donald Richardson OAM, a senior practicing artist and retired long-term educator in art, design and art history, has never been satisfied by historic writing in the field. In this book, he summarises and deconstructs key documents and marshals the clamouring desperation of many for redress and restitution. In the process, he proposes innovations for education and practice (in particular relating to perspective rendering and form). More generally, he proposes that the aesthetic be recognised as a sense of universal human relevance and value.

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    The Complete Titus Andronicus - Donald Richardson

    © 2016 Donald Richardson. All rights reserved.

    No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

    Published by AuthorHouse 08/26/2016

    ISBN: 978-1-5246-2591-7 (sc)

    ISBN: 978-1-5246-2592-4 (hc)

    ISBN: 978-1-5246-2590-0 (e)

    Library of Congress Control Number: 2016914020

    Any people depicted in stock imagery provided by Thinkstock are models,

    and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    Contents

    ACT I

    ACT II

    ACT III

    ACT IV

    ACT V

    Works Cited

    Other Books by Donald J. Richardson

    Dust in the Wind, 2001

    Rails to Light, 2005

    Song of Fools, 2006

    Words of Truth, 2007

    The Meditation of My Heart, 2008

    The Days of Darkness, 2009

    The Dying of the Light, 2010

    Between the Darkness and the Light, 2011

    The Days of Thy Youth, 2012

    Those Who Sit in Darkness¸ 2013

    Just a Song at Twilight, 2014

    Covered with Darkness, 2015

    Behold the Sun, 2016

    The Complete Hamlet, 2012

    The Complete Macbeth, 2013

    The Complete Romeo and Juliet, 2013

    The Complete King Lear, 2013

    The Complete Julius Caesar, 2013

    The Complete Merchant of Venice, 2013

    The Complete Midsummer Night’s Dream, 2013

    The Complete Much Ado About Nothing, 2013

    The Complete Twelfth Night, 2014

    The Complete Taming of the Shrew, 2014

    The Complete Tempest, 2014

    The Complete Othello, 2014

    The Complete Henry IV, Part One, 2014

    The Complete Antony and Cleopatra, 2014

    The Complete Comedy of Errors, 2014

    The Complete Henry IV, Part Two, 2014

    The Complete Henry V, 2014

    The Tragedy of Richard the Third, 2015

    The Complete Two Gentlemen of Verona, 2015

    The Complete Richard the Second, 2015

    The Complete Coriolanus, 2015

    The Complete As You Like It, 2015

    The Complete All’s Well That Ends Well, 2015

    The Complete Love’s Labors Lost, 2015

    The Complete Measure for Measure, 2015

    The CompleteWinter’s Tale, 2015

    The CompleteHenry VIII, 2016

    The Complete Troilus and Cressida, 2016

    The Complete King John, 2016

    The Complete Cymbaline, 2016

    About the Book

    Titus Andronicus, like Hamlet, is a revenge tragedy, but a revenge tragedy which focuses on violence and horror[;] … its mood is one of revulsion (Bevington, Introduction). Despite parallels between Aaron and Iago and between Titus and Lear, the play extends the genre of revenge tragedy and becomes one of unremitting violence and bloodshed. Although the revenge is supposed to offer some type of catharsis, it is challenging to accept the unmitigated and almost purposeless violence of the play. It is small wonder that scholars have denied Shakespeare as the author.

    About the Author

    Donald J. Richardson is still trying to teach English Composition at Phoenix College.

    ACT I

    SCENE I. Rome. Before the Capitol.

    The Tomb of the ANDRONICI appearing; the Tribunes and Senators aloft. Enter, below, from one side, SATURNINUS and his Followers; and, from the other side, BASSIANUS and his Followers; with drums and colors Followers:

    SATURNINUS

    2 Defend the justice of my cause with arms,

    3 And, countrymen, my loving followers,

    7 Then let my father’s honors live in me,

    BASSIANUS

    9 Romans, friends, followers, favorers of my right,

    17 And, Romans, fight for freedom in your choice.

    Enter MARCUS ANDRONICUS, aloft, with the crown

    MARCUS ANDRONICUS

    18 Princes, that strive by factions and by friends

    25 A nobler man, a braver warrior,

    26 Lives not this day within the city walls:

    31 Ten years are spent since first he undertook

    32 This cause of Rome and chastised with arms

    33 Our enemies’ pride: five times he hath return’d

    34 Bleeding to Rome, bearing his valiant sons

    35 In coffins from the field;

    36 And now at last, laden with horror’s spoils,

    37 Returns the good Andronicus to Rome,

    45 Plead your deserts in peace and humbleness.

    SATURNINUS

    BASSIANUS

    48 In thy uprightness and integrity,

    49 And so I love and honor thee and thine,

    50 Thy noble brother Titus and his sons,

    52 Gracious Lavinia, Rome’s rich ornament,

    53 That I will here dismiss my loving friends,

    54 And to my fortunes and the people’s favor

    Exeunt the followers of BASSIANUS

    SATURNINUS

    56 Friends, that have been thus forward in my right,

    57 I thank you all and here dismiss you all,

    58 And to the love and favor of my country

    59 Commit myself, my person and the cause.

    Exeunt the followers of SATURNINUS

    60 Rome, be as just and gracious unto me

    62 Open the gates, and let me in.

    BASSIANUS

    Flourish. SATURNINUS and BASSIANUS go up into the Capitol

    Enter a Captain

    CAPTAIN

    64 Romans, make way: the good Andronicus.

    65 Patron of virtue, Rome’s best champion,

    66 Successful in the battles that he fights,

    67 With honor and with fortune is return’d

    Drums and trumpets sounded. Enter MARTIUS and MUTIUS; After them, two Men bearing a coffin covered with black; then LUCIUS and QUINTUS. After them, TITUS ANDRONICUS; and then TAMORA, with ALARBUS, DEMETRIUS, CHIRON, AARON, and other Goths, prisoners; Soldiers and people following. The Bearers set down the coffin, and TITUS speaks

    TITUS ANDRONICUS

    75 To re-salute his country with his tears,

    76 Tears of true joy for his return to Rome.

    79 Romans, of five and twenty valiant sons,

    82 These that survive let Rome reward with love;

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