SACRED MUSIC

Winter 2009Volume 136, Number 4

EDITORIAL

Viennese Classical Masses?

| William Mahrt

ARTICLES

Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses| Eftychia Papanikolaou“Requiem per me”: Antonio Salieri’s Plans for His Funeral | Jane Schatkin HettrickHaydn’s “Nelson” Mass in Recorded Performance: Text and Context | Nancy NovemberSunday Vespers in the Parish Church | Fr. Eric M. Andersen

REPERTORY

The Masses of William Byrd | William Mahrt

COMMENTARY

Seeking the Living: Why Composers Have a Responsibility to be Accessible to the World | Mark NowakowskiThe Role of Beauty in the Liturgy | Fr. Franklyn M. McAfee, D.D.Singing in Unison? Selling Chant to the Reluctant Choir | Mary Jane Ballou

ARCHIVE

The Lost Collection of Chant Cylinders | Fr. Jerome F. WeberThe Ageless Story | Jennifer Gregory Miller

REVIEWS

A Gift to Priests | Rosalind MohnsenA Collection of Wisdom and Delight | William TortolanoThe Fire Burned Hot | Jeffrey Tucker

NEWS

The Chant Pilgrimage: A Report

THE LAST WORD

Musical Instruments and the Mass | Kurt Poterack

POSTSCRIPT

Gregorian Chant: Invention or Restoration? | William Mahrt333495461726625742765166687074

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