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A Guide to Airforce Heraldry

A Guide to Airforce Heraldry

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Published by: The Insider on May 14, 2010
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 A GUIDE TO AIR FORCE HERALDRY
 
William M. RussellRevised Edition byColonel Alan H. ClairandJulian C. GodwinAir Force Historical Research AgencyMaxwell Air Force Base
 
1996
 
 
FOREWORD 
The original version of A Guide to Air Force Heraldry was written by William M. Russell of theUSAF Historical Research Center and published in 1985. During the years that have elapsedsince then, several Air Force regulations and instructions have been issued to aid Air Forceorganizations with the design, submission, and procurement of organizational emblems and flags.Recent changes in the organizational structure of the US Air Force and the high level of involvement in the Gulf War, Bosnia, and other contingencies by operational units haveheightened awareness to the pride and motivation that heraldry provides. As a result, the AirForce Historical Research Agency (AFHRA) has received many requests for assistance andguidance in the creation of emblems. To facilitate the process, we have updated and publishedthis guide on the Internet at http://www.au.af.mil/au/afhra/. Our success will be measured by theuser’s ability to modify or create emblems meeting current Air Force requirements and theneeds of the unit.ALAN H. CLAIR, COLONEL, USAFRJULIAN C. GODWINMontgomery, Alabama November 1996
 
 
CHAPTER ONEHERALDRY THROUGH THE AGES
 
Symbols have distinguished friend from foe in warfare throughout recorded history.Organizations of the United States Air Force, like other military units, employ heraldicemblems as a means of identification and for esprit de corps. The emblems symbolize theunit’s history , mission, or function. Emblematic devices are recorded in the earliest biblicalperiod. Osyris, the grandson of Noah used a “Sceptre Royal, insigned on the top with aneye.”
1
In the annals of the Trojan War, the Greeks reportedly sported emblems on theirshields. Later, the eagle of the Roman legions, a highly visible symbol throughout the empire,represented the might of Imperial Rome. Indeed, before the Middle Ages, all organizedtribes and states accepted and used symbols and heraldic devices. None of these deviceswere hereditary, but they were the predecessors of medieval heraldry.Heraldry as we know it today had its beginning in the early 12th century during theperiod between the First and Second Crusades. To ensure recognition while wearing armorand a helmet that partially hid the face, enterprising knights began to use identifying symbolsand devices called cognizances, which were painted on their shields and embroidered on thepennons (cloth banners) attached to their lances. This practice spread rapidly as warriorsfrom different European lands gathered to participate in tournaments and fight in theCrusades. The inheriting of these cognizances started in western Europe during the secondquarter of the 12th century when men of the knightly class began to display on their shieldsthe devices that had been borne by their fathers. During the late 12th and early 13thcenturies, heraldic emblems and devices assumed a distinctive and consistently systematiccharacter that identified individuals, families, nobles, knights, establishments, andcommunities. At this time, a knight’s cognizance incorporated on his personal seal alsobecame his signature in civil transactions.Among those who played a part in the history of heraldry, the “herald” was perhaps themost important. Commissioned by the sovereign as his official representative, the heraldproclaimed the edicts of the king, carried messages between opposing armies, and issuedofficial proclamations of tournaments and the regulations that governed them. Intournaments, the cognizance that each knight displayed helped the herald distinguish amongthe mass of armored men. To prevent a knight from duplicating someone else’s cognizance,heralds eventually compiled Rolls of Arms that listed the cognizances painted on shields and
1
Eugene Zieber,
 Heraldry in America,
2d ed. (New York: Gordon Press, 1973), p.9.

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