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A Composite Voice Synthesizer

A Composite Voice Synthesizer

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Published by hermiit
A Composite Voice Synthesizer
A Composite Voice Synthesizer

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Published by: hermiit on Jun 02, 2008
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12/13/2012

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A Composite Voice Synthesizer
A Composite Voice Synthesizer
THESIS
Anthony Carrico
B.S., University of Illinois, 1992Submitted in partial fulfillment of the requirements for the degree of Master of Science in Electrical Engineering in the Graduate College of the University of the University of Illinoisat Urbana-Champaign, 1994
Dedication
This work is dedicated to Zachary Carrico.During the course of this project, several people contributed to its success. Paul Radja helped with the initial design and prototyping. Tom Compton helped debug the circuits.Michael Hamman helped design software and created compositions with the Composite Voice Synthesizer.I thank Doctor Ricardo Uribe for continually advancing the Advanced Digital Signal Laboratory: an environment in which award-winning projects take place through education.
Table of Contents
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A Composite Voice Synthesizer
Chapter 1. Introduction
The Composite Voice Synthesizer (CVS) is a sine wave generator and a digital signal processor (DSP) with an AES-EBU (Acoustical Engineering Society, European BroadcastUnion) digital output. The project also includes a Digital Audio Converter that provides bidirectional conversion between two-channel AES-EBU data and two-channel analog signals.The intended use of the CVS is the exploration of real-time sound synthesis and music composition. The real-time nature of the CVS distinguishes it from disk-storage basedcomputer music systems, and the composite nature of the CVS distinguishes it from other real-time synthesizers. These distinctions are made in design, but they are also a matter of application; certainly the CVS is capable of traditional real-time synthesis or computer music.The CVS was designed and built in the Advanced Digital Systems Laboratory: A learning environment which makes the CVS available to students with diverse interests. Thisensures its further development and use as an instrument for research and learning for years to come.
Chapter 2. Synthesizer Design
Table of Contents
Traditional Model
In acoustic musical instruments, a fixed number of voices are available at one time. A piano has 88 voices available, and each produces only one pitch. A saxophone has one voiceavailable, but that voice produces many pitches and timbres. These instruments generate the sound for each voice independently; each voice on an acoustic instrument is a separatehardware oscillator such as a string, reed or membrane. This arrangement makes up the instrument's voice structure.Designers of electronic musical instruments adopted this same approach. Most electronic instruments output several voices that produce many pitches and timbres. Electronicinstruments either duplicate the sound synthesis hardware for each voice, like acoustic instruments, or multiplex the synthesis hardware in time to produce several independent voices.In either case, there is a fixed voice structure.
Problems with Independent Voice Synthesis
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