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Henry Purcell - Suites, Lessons and Pieces for the Harpsichord

Henry Purcell - Suites, Lessons and Pieces for the Harpsichord

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Published by Guy De Roquefeuil
Piano Solo
Piano Solo

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Categories:Topics, Art & Design
Published by: Guy De Roquefeuil on Jun 06, 2010
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06/06/2010

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SuitenGMajor, 2.660Prelude,. Alrnand,.Corant,2.Nlinuet, .SuitenC Minor,Z.661Prelude,1.lmand,6.Corant,.Sarabancl,.SuiteinC Major,Z.662Prelude, 0.Almand, 2.Corant,'1.Suiten A Minor, Z.663Prelude, 6.Almand,16.Corant,8.Saraband,19.SuitenCMajor, 2.666Prelude,0.Almand,2.Corant, 3.Saraband,3.Suiten D Major, Z.667Prelude, '1.lrnand,5.Horn¡ripe,7.Suiteir-rD Minor, Z. 668Prelude,8.Corant,0.Hornpipe, 1.Suiten F Major, 2.669Prelude,2.Alrnand, 3.Corant, .1. Minuet, 6.TrurnpetTune,calledlieCibell,2.T678Trumpet Tune in C Major, Z. T697A Cround in Camut, Z. 645Almand inCMajor, from SLrite, . 665Sarabandwith Division, Z.654VoluntaryínCMajor, Z.717A Versen F Major, Z.716TrumpetTune in D MajorAir in D Minor, Z.T675
CONTE,NTS
JJJI
3839
.1J9J.l
-14
-i3
46
.\ir irr D I'Iinor, 2.T67647f,rorrnclnCN{inor, Z. T68l'18Prclucle n A Mi¡ror, Z. 65250'lirccatain A Nlajor, Z.D229 52Hrrrnpipe n E Minor, Z.T685 62Air inClMajor, Z.6'1163(lrrantinGN{ajor,Z. 6'146'1)linrret in GNlajor,Z.65166Voltrntarv nGMajor,Z.72066Sorrg1'rrne,Z. T691 69\lar<h in C Nfajor, .6'17 70Ila¡rh inCMajor,Z. 648 7l\t'rr' \lirrrrct n D Minor, Z. T689\linrrct in .\ Nlinor, Z.649 73\lirrrre in '\ Ilinor, Z. 650 74..\ cu' Scotchune,Z. 655 75.\ Nerr'lround,2.T682 76l.illiburlero.A Ne."r'rish Tune,2.61679Rigadoon,Z. 65380Sefatrchi'sarevvell, .65680Nlinuet n l) Minor,Z. T68882AlrnarrdGal'otte]n D N{ajor,Z. D219"1 83BorrlfSarabarrd]n D N1ajor,Z. D219,'2 84\¡ersen the Phrl'¡;ianNfode8'1TheQueen'sDolour.A Faren'ell, .67086Mirruetin E Nlinor, Z.D22587A Groundin l) Nlinor,Z. D22288
l0Iri
20
o1
28
 
PREFACE
Dun¡Ncthe last ñ{tvvearss¡.r't alcollectionsof Purcell's HarpsichordMusic have appeared.Someofthesecontarnccimpositii,n.which¿rc nowklrowntohave beenascribedtohim wronglv,while from tirnetottmcvilnou\n(:\\' preceshave cornctoli¡;ht. Itis believedthatthe follon'ingpagescontain alltheorigrnalconri,'>rtronithrlatPrcse¡¡tc¡n i.rcattributed to him withany degreeof certainty. Arrangcments(thoughm.rni.irrprohlirlvfrom his¡ren)havc beenexciuded,u'ith theexception ofthe" New Ground,"frorn \1,;.rirHrn,lnr Lid"-,rtran.criptionof the air,"Herethe Deities approve,"fromthe rLr,!3St. Cecilr-r,LTrri. liastlet:n retainerd,stlreharpsichord versionappearedduring Rrrceü's lifetime, thou¡lr\r'rih( t ti.'-:, u:','.rfthe composer.7,',: .: ¿:r,lir,rrksof erpressionhavebeenadded; butas they are nottobeforrnd in the originals,ther' :l.'.:-'"i:rr',¡rccorrlinFjo thetaste of theperformer.It should bcnoted thatinPurcell's tirnethe i¡,,:::r.!--..:,r)l)',:do be regulatedby the time-signature.l3ut,pos,,;bly,wingto carclcsseirtinq,thc :,r:.:-i::::,ll:1:ucilasthatofthe"(-hoiceCollectionof l-essons," n whichPurcell's Suittsap¡¡'arr,lin¡,.,, :r i\\;ilianvconsi'tcne\,'carrvouttherules laiddown.It appears, bowever,certainth¿itthe r,,,:.::ili,tr \'.rn()usdance-mc,r'erncntsfthc Suites(a.e.,heCorants) difieredconsiderably in linglan<lfrr¡n ::.,:-irlLr:u ,nFrance. \\¡ithrcgard to thc Graces,so important afeature in Harpsichord \lustc,the,n¡-:.'l .::r.. |iavcbeenretained.'fheirmcanir.rgwillbe easih' u¡¿.rstood bystudying the foüowingr¡1es,rrr::.rrcrcpr"fixedto the"Choice Collcctionof Lessons"(16SS)and othersimilar colections:-
RULESFOR GRACES.''A s/¡¿A¿smarked hus:
A ó¿nl smarked thus:
Aplainnole and sl¿É¿hus:A,foreallnrarkedthus :Abachallmarkedthus :.{nrark lorthelutnlhus;The rriarkor theshaheurnedhus:
^=
e-exp¡arrreútnus:ffi
-r'-
7^=-+ explainedhus:jiP_?_---
--¡'-^--=:=:-exDlalnedhus:-#ffi:-\u__
a/--1_
explainedhus:-&-_F:-,
sy']-t!:-v
explainedhus:
explainedhus:*=+-'_:-_explainedhus/.=EE--=Y-*;:,---=_
f\l
Ol-.n
_t-_a_a+
1ffi
vr
"\f rrsicalOrnrunent¿rtion(to whichthe studentmay be referred who wishcsintcrestingq¡l,i.er,iobsoletegraces)it isshownthat thebaÍ\ery,iu modern(lr,r,--1¿tlrrt vou always .sl¿¿A¿rom thenoteabove,and beatkom the noteor half-notebelow,accr,r,iti.- t, tr..' Kr'\'\'ouplavin"[i.e.,gracesare diatonicandshakesgenerallybegin withthe uppcracc,-':.r'.,":Lllrt-l¡el¡laí¡tnoteandshahe"[i.e.,appoggiaturaandshake],"ifitbea notewithout apoint"i;.',unl,rttcrl.l"r'ouare tolroltlhalftliequantityof itplain,andthat uponthe note above thawhichrs nr,rrk'l,r:rri:lirike thc otherhalf, but ifit be a note witha pointto it"fi.e.,adottednote],"youari- t,r l, i,i.Llithr¡1r;¡,.plainarrd slrakeonly the point"[i.e.,t]re appoggiaturatakes about half thevalueoi tlrr ¡ri-un note; ifthemdn note is dotted,two-thirdsl.".{slrr¡smarked tlrus
explainedhus:
ThemarkIn Dannreuther'stopursuefurther the
l\
Dotation, would be written thus :
 
PIJBLISHER'SNOTE
I hr: rolumereproducesall the music, in its original order,fromthefour-volumesetS¿¿lr¿s,essonsand Pieces or'it¿ÍIarpsichordpublishedbvJ.& W.Chester.However, the namesof rnany ofthepieceshavebeen changed to'lr,rsegivetrn FranklinB. Zimmerman'sHenry Purcell, 1659-1695: nAnalytical CatalogueofHis lltusíc,and/tttlrnerrnan'scataloguenumbers havebeensupplied.The equivalentsare asfollows:
Chestered.SuiteSuite ISuite IISuite VSuiteVSuiteVISuiteVIISuite /IIITrumpetTune, called the CebellAirAGround in Ga¡nutAirLessonVoluntarvVerseTrurnpetTuneAirAirGrotrndPreldeTr>ccataHornpipeArrCorantNfinuetPrelucle'l'uclve-essotrsroln']{ttsick'sHandrnaid',art I:I. Song Tune
ll.
III.NlarchI\'.Neu N{inuet\'. Minuet\1I.N'linuetVII.A Ner,,' Scotcl'r 'une\IIII.ANew CiroundIX.ANer,r'rishTune.LilliburleroX. RigadoonXI. Sef¿ruchi's arewellXII.MinuetAlrnandBorrlPreludeTlieQueen'sf)olour.AFarewellMinuetACrroul]d
Douer ed.Suite in Ci l\Iajor,Z. 660Suite n C] Xfinor,Z. 661Suite in C l\lajor,7,. 662Suite n A Nfinor,Z. 663SuiteinC Major, Z. 666Suite in D Nfajor,7,. 667Suite n D Minor,Z. 668Suite in F Major,Z. 669TrumpetTune,called heCibell, .T678Trumpet Tune inCMajor,Z. T697A Groundin Gamut, Z. 645Alrnand inCMajor, frornSuite,Z.665SarabandwithDivision, Z.654Voluntary nCMajor, Z.717A \Ierse nF Major, Z.716Trumpet Tu¡re inD MajorAirin D Minor,Z.T675Airin D Minor,Z.T676GroundinCMinor, Z. T68lPrelude nA Nlinor, Z. 652fbccata inA Major, Z.D229Horrrpipe in E l\tinc¡r,Z.T685Air in GNlajor,Z.64CorantinGMajor,Z. 641Nfinuet nGMajor,Z. 65YoluntarynGMajor, Z.720Sorrg Tune. Z. T694N{arch n(,l\Iajor, Z. 647March inCNfajor,Z. 648New Minuet in D Minor, Z. T689Mirruet nAMinor,Z. 619MinuetinA Minor, Z. 650ANeu'Scotch Tune, Z. 655A Ner.'r'Ground,Z.T682Lilliburlero. A NewIrish Tune,Z.6.16Rigadoon, Z. 653Sefauchi'sFarewell,Z. 656Minuet inDMinor, Z. T688AlnrandCavotte]nD Major,Z.D2l9i1BorrySaraband]n D Major,Z. D2l9/2l/erse¡r the Phrvgian ModeT'heQueen'sDolour. AFarewell,.670Mirrr¡etn[.N{inor,Z.D225A Circrund nD N{inor, Z. D222

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