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Stealing Fire fromthe Gods
T
he
C
ompleTe
G
uide
To
S
Tory
for
W
riTerS
and
f
ilmmakerS
2
nd
e
diTion
by
J
ameS
b
onneT
Graphics byRichard BrassawandDiane Tabban Bonnet
Michael Wiese Productions
v i i
C
onTenTS
Foreword to the Second Edition..............................ixForeword...................................................xPreface....................................................xiiIntroduction...............................................xv
p
arT
o
ne
:T
he
n
aTure
and
p
urpoSe
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S
Tory
1. The Story Of The Two Potatoes ...........................32. How This Knowledge Was Developed......................53. Why The Old Great Stories Were Created...................84. How The Old Great Stories Were Created..................175. Why The Old Great Story Takes The Form That It Does . . . . .236. How The Great Story Does Its Work ......................267. How This Natural Storymaking Process Was Cut Off........32
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Wo
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eCreT
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anGuaGe
of
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reaT
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TorieS
8. The Metaphors.........................................379. The Archetypes ........................................43
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arT
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hree
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he
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eW
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Tory
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odel
10. The Storywheel ........................................4711. The Golden Paradigm...................................5212. Inner Conflict..........................................8513. The Ego/Hero Archetype ................................8814. The Marvelous And Terrible Elements ....................96
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TealinG
f
ire
f
rom
The
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odS
B o n n e t
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15. The Archetypes Of The Creative Unconscious Self ..........9816 Some Special Qualities Of Metaphor .....................11017. Group Phenomena And The Entity Being Transformed.....11618. The Dynamic Cycle....................................11919. The Hero’s And The Antihero’s Journey...................12420. The Story Focus.......................................14921. The Sugar Coat........................................17022. The Storywheel Revisited...............................173
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our
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of
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TorymakinG
23. The Creative Process And The New Artist-Storymaker .....17724. Imitations Of Real Life .................................17925. Sources Of Material....................................18226. Six Creative Techniques ................................18427. Creating The Whole Story Passage.......................19028. Creating The Story Focus...............................22029. Story Alchemy ........................................23830. Creating The Sugar Coat ...............................24231. Perseverance..........................................24632. Conclusion ...........................................248Epilogue .................................................251Bibliography..............................................253Glossary .................................................254Index....................................................262
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