Literary Stylistics • Stylistics as a meeting ground between language and literature • The job of a stylistician is to demystify the intuition of the literary critic. • Stylistics has the goal of explaining the relation between language and artistic function. • Its goal is to relate the critic’s concern of aesthetic appreciation ( comprehends both critical evaluation and interpretation) with the linguist’s concern of linguistic description • Linguistic angle: “Why does the author here choose to express himself in this particular way?” • Critical angle: “How is such-and-such an aesthetic effect achieved through language?” Language of Literature • We can easily decide whether it is literary, or commercial, or scientific, or officialese text etc. • What are the qualities that make us recognize a text as belonging to literature and distinguish it from an ordinary text? • Interesting framework which literary texts appear in-- the forms of poetry, novels, dramas, etc which writers use and which critics have labeled as Genres. • Imaginative quality of the linguistic utterance • Literary texts go beyond the use of words to convey referential meaning. Language of Literature • There is no such thing as a homogeneous variety of literature, as parallel to legal, news reporting, public speaking, or conversational varieties. • Like other registers, literary genres are describable in terms of the categories of the language: phonology, graphology, grammar, lexis, and semantics. Language of Literature • There is no such thing as a homogeneous variety of literature, as parallel to legal, news reporting, public speaking, or conversational varieties. • Like other registers, literary genres are describable in terms of the categories of the language: phonology, graphology, grammar, lexis, and semantics. Language of Literature • The special use of patterning in literary texts that heightens the effect of linguistic utterances • literary language has the same general functions as non-literary language--to define things, to exchange ideas, to express emotions and to transmit messages but, the language of literature is not simply used for communication or even expression. • It is also used as an artistic medium, to create images, to bring out the rich multi-level meaning and thematic significance of a literary work. This special artistic trait of literary language appeals to the reader aesthetically. Language of Literature • If we say that everyday language tends to perform an informative function, then literary language tends to perform an affective function-- appealing'; more to the emotions of the reader. • Literary language is chosen and manipulated with greater care and complexity than the average language user either can or wishes to exercise: it contains a higher occurrence of special or deviant features than nonliterary varieties. • Literary language is not unintelligible to the members of that community. Language of Literature • Modern linguistics places literary uses of language against the background of more 'ordinary' uses of it, so that we see the poet or novelist or playwright making use of the same code, the same set of communicative resources, as the journalist, the scientist, or the garden wall gossip. • Literary expression is an enhancement, or a creative emancipation of the resources of language which we use from day to day. • The novelist and the playwright aim at a vivid reproduction of everyday language, whether polite or familiar, elegant or rude, formal or informal/colloquial, so as to depict the socio-economic status and disposition of his/her characters. Language of Literature • Sometimes literary language, especially the language of poetry can appear sharply different from ordinary language. • Because the writer, especially the poet, consciously endeavors to be creative in using the language. • 'creative', here means the original use of the established possibilities of the language, and the creation of new communicative possibilities which are not in the language. Language of Fiction • The language of fiction is used to convey the 'mock reality' of a novel. • A novel incorporates the author's desire to touch the emotions of the readers, to cause shock to them and to persuade them into action • 'facts' in the novel are selected and arranged in a way that does not totally reproduce a verifiable situation. Here the quality of 'imagination', one of the distinguishing marks of literary texts comes into service.