of the soul. The people of the North pay a tribute in gold to the Persians,which they acquire effortlessly in their deserts from deposits left by hugegold-burrowing ants. Bizarre nomadic tribes are scattered throughout the restof the country including pygmies, cannibals, breastless Amazons, menwithout noses, giants five fathoms tall, headless people, as well as those withfeet so large they are able to use them as umbrellas, shielding themselvesfrom the sun while lying on their backs. The entire land is wealthy inordinary crops, herd animals, and gold, but also in beautiful gems,shimmering silk, exotic spices, and potent drugs.This is the view of India that arose in Greece between the sixth andfourth centuries
B.C.
, was passed on to the Romans when they supercededthe Greeks as the center of the ancient Mediterranean world, and migrated to Northern Europe after the Roman Empire fell under the impact of the barbarian invasions. Its principal sources lie in the writings of four men:Scylax of Caryanda, a Greek officer sent by Darius, the ruler of Persia,around 515
B.C
. to reconnoiter the Indus valley, his easternmost province;Herodotus who wrote about India half a century later in
The Histories
, hisfamous treatment of the Persian wars; Ctesias of Cnidus, critic of Herodotus,who authored
The Indica
in 400
B.C.
, the first foreign book devotedexclusively to India; and Megasthenes, Macedonian ambassador to the courtof the Mauryas, who resided in the Gangetic plain and wrote extensivelyabout Indian institutions and customs around 300
B.C.
, in the aftermath of Alexander’s invasion and ultimate retreat from the subcontinent.At first consideration, there appears to be nothing astonishing aboutthe phantasmagorical elements in the picture of India that emerges from thework of these men. After all, the Greeks did not hesitate to weave mythicalthreads into the fabric of their own history, as the Homeric accounts of thewar with Troy and its aftermath attest. According to the Ionian poet, theevent that initiates the martial drama described in the
Iliad
consists in anattack by Apollo on the Achaens in response to Agamemnon’s arrogantrebuff of an Apollonian priest. Moreover the progress of the war is marked by the intervention of numerous divine figures motivated by both their patronage of opposing mortal combatants and their Olympian rivalries withone another. The vain and jealous gods and goddesses, plaintive ghosts, oneeyed giants, and seductive sirens of the
Iliad
and the
Odyssey
seemappropriate company for the gryphons, satyrs, giants, headless people, andother odd creatures thought to inhabit the Indian subcontinent. But it isimportant to remember that the Homeric epics were composed no later than