Professional Documents
Culture Documents
A
Socio-‐Political
Weapon
Filmmaking
is
a
tool
whose
function
has
a
range
of
diversity
equal
to
that
of
the
artist.
It
can
exist
as
internal
reflection,
social
commentary
and
activism,
and
with
the
possibility
of
transforming
the
world
one
audience
member
at
a
time.
The
means
of
distribution,
and
often
production,
tend
to
be
in
the
hands
of
a
few
members
of
the
large
corporate
media
system.
This
puts
limits
on
people
who
attempt
documentary
filmmaking
with
revolutionary
goals,
mostly
because
it
may
challenge
the
very
foundations
these
systems
are
resting
on.
The
underground
may
be
the
place
for
these
digital
video
anarchists,
where
the
rules
are
different
and
the
dangers
are
more
vivid.
Guerilla
filmmaking,
especially
with
non-‐fiction,
is
reproducing
at
rapid
rates
these
days
because
of
internet
self-‐distribution
and
it
is
easy
for
truly
independent
filmmakers
to
get
their
work
seen.
If
someone
is
attempting
to
by
pass
the
normal
flow
of
film
distribution
and
ownership
laws
they
may
attempt
to
go
anonymous,
leaving
the
film
to
speak
for
itself
without
credit
given
to
them
explicitly.
Copyright
Once
you
take
your
name
off
of
the
credits,
or
anyone’s
name
for
that
matter,
you
open
yourself
up
to
do
things
that
you
normally
could
not
get
away
with.
Copyright
law
is
difficult
for
even
the
most
seasoned
film
veteran
to
interpret,
and
usually
you
are
not
going
to
be
liable
unless
you
are
taking
a
financial
reward.
If
you
are
looking
for
purely
anonymous
distribution
on
websites
like
MySpace
or
YouTube
any
copyright
laws
can
be
forgotten
completely.
This
means
that
you
should
feel
free
to
use
any
film
footage,
news
real,
or
music
that
you
would
like
to
further
enhance
your
work.
Since
there
would
be
no
one
to
pursue
for
infringement
on
intellectual
property
rights
you
are
in
the
free
and
clear
to
use
all
media
you
feel
fit.
You
should
still
be
cautious
if
you
intend
on
using
large
segments
of
copyrighted
work
because
the
hosting
websites
may
remove
it,
but
if
you
use
small
segments
to
augment
your
work
or
as
a
creative
palette
for
your
own
remix
then
your
work
will
be
free
to
be
seen
without
liability.
There
are
a
number
of
programs
available
free
online
for
use
in
capturing
audio
files
or
videos,
either
from
websites
or
physical
home
viewing
formats.
When
trying
to
simply
download
media
there
is
a
number
of
person-‐to-‐person(P2P)
formats
available,
including
SoulSeek
and
all
types
of
Bit
Torrent
downloads.
Trespass
Likewise,
any
methods
that
you
used
to
acquire
footage
in
your
normal
production
process
will
not
be
subject
to
any
legal
questioning.
For
example,
if
you
are
working
on
a
film
that
challenges
a
certain
government
or
corporate
institution
you
may
want
to
breach
trespassing
laws
to
acquire
footage.
This
is
illegal,
and
the
footage
in
your
film
would
be
a
self-‐incriminating
document.
Employing
complete
anonymity
would
then
take
away
the
ability
for
authorities
to
identify
you
personally
for
the
legal
violation.
This
opens
you
up
to
take
a
new
ethical
perspective,
where
the
importance
of
your
work
becomes
primary
over
the
possibility
of
retaliation
against
you.
Libel
Libel
and
slander
laws
are
commonly
pressed
against
independent
and
alternative
journalists.
Much
of
it
is
valid
because
it
is
common
in
the
internet
age
for
journalists
to
ignore
common
fact
checking
and
ethical
procedures.
Unfortunately,
this
is
also
mixed
with
false
charges
that
are
pressed
by
larger
corporate
or
governmental
organizations
that
have
the
legal
and
financial
resources
to
go
after
renegades
that
challenge
them.
In
your
filmmaking
process
you
will
be
under
similar
scrutiny,
however,
if
your
film
maintains
no
author
then
there
is
really
no
person
to
serve
with
a
lawsuit.
Guerilla
Documentary
The
truth
does
not
always
live
in
the
open,
so
many
documentarians
head
to
the
underground.
Learn
about
some
techniques
used
in
guerilla
documentary
production.
• 1.
Guerilla
Documentary:
Anonymity
Part
1
of
2
• 2.
Guerilla
Documentary:
Anonymity
Part
2
of
2
• 3.
Guerilla
Documentary:
Clandestine
Footage
• 4.
Guerilla
Documentary:
Hidden
Field
Cameras
• 5.
Guerilla
Documentary:
Filming
Without
a
Permit
• 6.
Guerilla
Documentary:
Wireless
Microphone
• 7.
Guerilla
Documentary:
Using
Still
Photography
• 8.
Guerilla
Documentary:
Using
Your
Mobile
Phone
• 9.
Guerilla
Documentary:
Entering
and
Exiting
the
Premises
• 10.
Guerilla
Documentary:
Usable
Stock
Visuals
• 11.
Guerilla
Documentary:
Getting
Your
Releases
Early
• 12.
Guerilla
Documentary:
Forget
High
Definition
• 13.
Guerilla
Documentary:
Hidden
Costs
• 14.
Guerilla
Documentary:
Small
&
Light
Cameras
• 15.
Guerilla
Documentary:Videotaping
News
Crews
• 16.
Guerilla
Documentary:
Making
a
Studio
in
Your
Apartment
• 17.
Guerilla
Documentary:
Don't
Turn
Off
Your
Camera
• 18.
Guerilla
Documentary:
Chasing
Your
Subject
• 19.
Guerilla
Documentary:
Prison
Interviews
• 20.
Guerilla
Documentary:
Group
Interviews
• 21.
Guerilla
Documentary:
Using
Newspaper
Clippings
Read
more:
http://www.brighthub.com/multimedia/video/articles/11332.aspx#ixzz0tbIk9
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