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1. The winning poem will be published, together with a detailed critique, in the
inaugural issue of the Journal of Renga & Renku. All entries will be considered as
content for inclusion in the journal.
1. Only renku in thetripars hva form are eligible for this contest
2. There is no limit on the number of entries you may send
3. Both solo and collaborative triparshva are eligible
4. Previously published triparshva are also eligible for the contest
5. Triparshva that include verses written by either of the judges, or that have been led
by one of the judges, are NOT eligible for this contest
1. Send a clean copy of the poem (stripped of initials, schema notes, renju's names
etc.) as a Word (or RTF) document attachment toRengaRenku@ gmail. com
(RengaRenku AT gmail DOT com)
We will look for:
1. evidence of appreciation of both the renku genre and its triparshva form
2. successful employment of jo-ha-kyu movement
3. effective use of, and variety in, linking techniques
4. a rattling good read
Norman Darlington (proposer of the triparshva form) & Moira Richards, editors and
publishers of the forthcoming Journal of Renga & Renku. Both are active in the study
and practice of the genre, have served as renku editors for various publications, and
led or contributed to renku published in more than two dozen online and print journals
around the world.
With 22 verses, the triparshva is short enough to facilitate remote composition over a
reasonable period of time, yet with 6, 10, and 6 verses respectively, each side
encompasses one of the jo-ha-kyu modes, and is long enough to allow a paced
dynamic development in the style of the kasen. Since the publication of the triparshva
design in 2005, it has been the successful vehicle of numerous poems by poets on five
continents.