ISoft silken stone, hue deep green, almost obsidian, captureslight, washes out the mauve fabric around it, not right, a little grey mixed in, to capture the light that pours in during the morning, get out of bed, stand by the window, see the sky, even in the winter when it's flat matte, that's what will work.Mariah stretched her neck, fluttered her eyes into focus, andlooked all around the room, then back to the empty pine planksand the window."Green stone, Mark, we need something green, deep green, here, that lifts up from the carpet, it's going to be so big, you know?"Mark said something quietly behind her. She rubbed hercupped palm briskly over the knuckle of her thumb."The big lights for over the kitchen island are coming in a hour," Mark repeated."Oh," Mariah whispered. "I can feel the thrum."IIThe first notes sound like raindrops.Tap the charcoal stick, once, twice, then a third time.The horn comes in like licorice, tugged out a strand at a time.Stroke, bold upstroke, shoulder pushed down into the finish,a brow furrowed, then stroke again, with a big rush, hard down,ahead of the horn now, and the raindrops curve into a struck chordand then the slow, swagger-out walk-walk of the piano.Michael threw the charcoal down at the pad. It bounced off tothe floor and rolled against a pile of rough lumber. He yanked his hands against his hair."Fuck, fuck, fuck fuck fuck!""It's ok, baby." Mariah whispered."Did you see it? Did you see the light? It was right there!"Michael stared in her eyes. His were a soft kind of green, likea green you'd see at the distant horizon on a murky ocean day.They quivered.
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