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HomeWork

HomeWork

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Published by lilblueboo
From the August 2010 Issue of Desert Magazine
The Desert Sun, A Gannett Newspaper
From the August 2010 Issue of Desert Magazine
The Desert Sun, A Gannett Newspaper

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Published by: lilblueboo on Aug 13, 2010
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06/10/2012

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August 2010 | Desert Magazine2120Desert Magazine|August 2010
STUDIO WITH A VIEW
 Not everybody gets their wish list when it comes to designingcreative space, but mixed media artist Judith Marshall knewher must-haves when Palm Desert architect Dave Prest andshe planned out the studio in her Bighorn Golf Club home.“It absolutely had to have great paper storage because of thecollage I do,” Marshall says. “I absolutely had to have greatlight. It also had to be very neutral. The walls are white, cup-boards are silver—nothing competes with what I’m painting.”Trained as an interior designer, Marshall left the designbusiness in 1980 in order to paint. “I wanted the ability tocontrol my own work, just the freedom to create exactly what Iwant to create without time restrictions—a chance to be morepersonally creative.”Marshall points out what she likes best about the space:It’s open, has great light, built-ins to hold paper and enoughroom for her press plus two easels. It also has room for quirkierobjects such as a black wig stand sporting mouse ears and afull-size skeleton named Hermoine. All that, and she has asmall office area, as well.“I purposely kept the desk area small so that it wasn’tgoingto become the office. Sometimes I now kick myself becausethere’s really just room for my laptop and stuff piles up. But Idid that on purpose so I go there to really work.”Books and writing also inspire Marshall, and her small officearea contains a couch and floor-to-ceiling bookshelves. Sheincludes the written word in her art, sometimes covering herentire canvas surface with writing as a sort of substrate overwhich she starts layering other materials.Initially,Marshall wanted to make her space accessible onlyfrom the outside of the house. “I wanted to be able to go to mystudio, and I thought it wasn’t important to get there from theinside of the house,” she says.“If you have a studio in yourhome, it needs to be a spacethat you feel you can go to.It’s wonderful to be able to go tothat space, that it’snot accessibleto everybody.”
APLACE FOR EVERYTHING
Ashley Hackshaw answers the door wearing one of her owncreations, a knit tank dress constructed in asymmetrical chunksof several different patterns. She walks from her painting studioarea, set up in a spare bedroom, out past a central living areaand points into the butler’s pantry behind the dining room.“This is actually my shipping area. When I say I’ve taken overthe whole house, I’ve like, taken over the whole house.”Hackshaw is the creative engine of Lil Blue Boo designs,named for her daughter Sienna’snickname, “Boo.” She designsone-of-a-kind little boys’ and girls’ clothing from recycledknits—everything made from old T-shirts she buys in bulk atthrift stores, as well as bargain close-out fabrics. “All my friendsknow to never give anything away until they ask me,”Hackshaw says. “I will get trash bags left on my doorstep of oldT-shirts, old golf shirts that their husbands don’t wear anymore.”Her sewing studio is located in a casita with a separateentrance, and is full of shelves and bins that are clearly labeled.“I’m a pack rat. But I’m an OCD pack rat. Everything has tohave its place, has to be very orderly.”The business acumen obvious on Hackshaw’s blog, lilblue-boo.blogspot.com, (Dharma Trading Company is her sponsor)is evidence of a very analytical as well as creative mind.hink of an artist’sstudio and you may envision a large room with lots of light. A plein-air artist mayconsider a sketch pad, India ink and the places their car will take them to be all that’s needed to work.Clothing designers might be surrounded with yards and yards of fabric, skinny mannequins and skinniermodels. But some artists want the studio itself to be a source of inspiration.Virginia Woolf said that a writer needed a room of one’s own, while author Annie Dillard believed that awriter’swork space should be spare, “…a room with no view so imagination can meet memory in the dark.”But the fact is, if you talk to 50 different artists about their studios and work areas, you’ll get 50 differentideas of how that space should look, function and feel. Some need a protective cocoon, while others insist onplenty of breathing space. Obviously, a writer will need different conditions than a painter. Regardless of theartist’s discipline or space requirements, each studio is as much a creation of the creator as any work of art,and a reflection of the personality which inhabits the space.Peek with us into the spaces of inspiration for painter Judith Marshall, clothing designer Ashley Hackshawand writer DeAnn Lubell. Each woman has crafted a unique place that exhibits organization, comfort and,always, character.
Personal work space makes the difference between creative confusion and artistic productivity
BY KIMBEL J. WESTERSON
Home Work
 T
Judith Marshall’s studio,opposite,is open,hasgreat light and built-inflat files to hold paper.There’s also enoughroom,below,for herpress plus two easels.Ashley Hackshaw and daughter Siennaget creative in their home studio.
   P   H   O   T   O   S  :   O   P   P   O   S   I   T   E   A   N   D   B   E   L   O   W  :   C   H   A   R   L   E   Y   A   K   E   R   S   /   A   S   H   L   E   Y   H   A   C   K   S   H   A   W  :   T   A   I   L   I   S   O   N   G   R   O   T   H
 
August 2010 | Desert Magazine2322Desert Magazine| August 2010
She majored in mathematics at Wake ForestUniversity in North Carolina, where she mether husband Brett. Both went into investmentbanking.Feeling burned out from 100-hour weeks of leveraged finance structuring and underwritingfinancing for oil companies for six years (duringwhich she earned an MBA), Hackshaw took athree-month leave of absence and never wentback. “It was kind of one of those ‘ah-ha!’moments where you’re like, ‘We have no lifebecause we work 24/7 and do we want to havekids? Do we want to have a life? Do we everwant to see each other?’” When the coupledecided to relocate to Palm Desert, the processtook only 30 days.Business is so good that Hackshaw’s items sellout immediately when posted online. Manyfriends have tried to persuade her to expand,but she resists. “I’m kind of at a point wherethe demand is there, but I can’t meet thedemand. Do I go any bigger? I kind of likehaving things like this where there’s not anyoverhead, I have it all in my control.”
Hackshaw’ssewing studio islocated in a casitawith a separateentrance,and is fullof shelves and binsthat are clearlylabeled.“I’m a pack rat.But I’m anOCD pack rat.Everything hasto have its place,has to be veryorderly.”
Ashley’sr craft studio and a sewing area reflect herpenchant for organization and accessibility.
HOME WORK
   P   H   O   T   O   S   T   H   I   S   P   A   G   E  :   T   A   I   L   I   S   O   N   G   R   O   T   H
Streamlining Your Own Workspace
F
Go Mobile.
Rolling carts are helpful, especially for artists whomove between work areas.
F
Think ‘Double Duty.’
Artist Judith Marshall designed a couchthat’s 78 inches long by 36 inches deep, with a top that flipsover to become a work surface 38 inches high. It has flat filesunderneath the deck for drawings and paper. The cushions arecovered in the same canvas she paints on, and it is on industrialcasters so it is easy to move in the studio.
F
Do it yourself.
While built-in cabinetry is beautiful, it is easy tocreate functional workspace from simple materials. AshleyHackshaw and her husband created a sewing table from abroad countertop and industrial brackets attached to the wall
.
F
Put it away.
DeAnnLubell says that she finds ithard to function whenthings around her are notstored properly. Invest inmagazine holders, binders,color-coded file folders—whatever it takes toorganize and get rid of clutter. Ashley Hackshaw hangs itemsfrom walls and from under shelves to keep clutter at bay
.
F
Keep ‘em separated.
Drawer dividers are a must, whetheryou’re storing pens and paperclips or paintbrushes and pastels.
F
Within reach and view.
Keep your most frequently useditems within easy reach, and frequently called numbers on alarge bulletin board above your desk. Ashley Hackshaw keepsher most used items out in the openso precious creative time isn’t wastedlooking for them.
F
Shelve it.
Marshall houses books andart magazines; Hackshaw stacks fabricsand books; Lubell accommodatespersonal photos, decorative items andbooks on bookshelves.
F
Customize.
Collect storage itemsthat are unique to what you do. AshleyHackshaw uses cigar boxes to store various sewing materials andnotions, while Judith Marshall needs flat files for paper. DeAnnLubell finds three-ring binders invaluable.
F
Stick a label on it.
No matter what you use for storage,making a proper label for it helps you locate it at a glance.
F
Take it personally.
Just because you’re in a work spacedoesn’t mean that it has to be sterile. Even the smallest spacehas room for a personal touch such as a photograph of lovedones or an inspirational piece of artwork.
   P   H   O   T   O   S  :   T   O   P ,   T   A   I   L   I   S   O   N   G   R   O   T   H  ;   B   O   T   T   O   M ,   C   H   A   R   L   E   Y   A   K   E   R   S
Ashley Hackshaw and a few of her clothing designs.

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