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Diplomarbeit - Traficando Cultura

Diplomarbeit - Traficando Cultura

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Published by soosee9502022
Die vorliegende Arbeit beschäftigt sich am konkreten Beispiel des Funk Carioca, einer Musik- und Jugendkultur aus den Favelas von Rio de Janeiro, mit Globalisierung und Lokalisierung bzw. der Lokalkultur im Spannungsfeld der Globalisierung.
Die vorliegende Arbeit beschäftigt sich am konkreten Beispiel des Funk Carioca, einer Musik- und Jugendkultur aus den Favelas von Rio de Janeiro, mit Globalisierung und Lokalisierung bzw. der Lokalkultur im Spannungsfeld der Globalisierung.

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Published by: soosee9502022 on Aug 30, 2010
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10/30/2011

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DIPLOMARBEIT
Titel der Diplomarbeit
„Traficando Cultura“
Funk aus Rio de Janeiro im Spannungsfeld zwischen lokalerIdentität und globalisierter Jugendkultur
Verfasserin
Susanne Senekowitsch, MAS
angestrebter akademischer Grad
Magistra der Philosophie (Mag. Phil.)
Wien, Februar 2010Studienkennzahl lt. Studienblatt: A 307Studienrichtung lt. Studienblatt: Kultur- und SozialanthropologieBetreuer: ao. Univ.-Prof. Mag. DDr. Werner Zips
 
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Für Ricardo und Deborasowie die Funkeiros und Funkeiras aller Comunidades Cariocas, Brasiliens und weltweit 
„When you see a river from afar, it may look like a blue (or green, or brown) line across alandscape; something of awesome permanence. But at the same time, ‘you cannot step intothe same river twice,’ for it is always moving, and only in this way does it achieve itsdurability. The same way with culture – even as you perceive structure, it is entirelydependent on ongoing process. More precisely, the flow occurs in time and has directions.As a whole, it is endless; externalizations depend on previous interpretations, depending onprevious externalizations. And the externalization now will bring about interpretationswhich in their turn lead to further externalizations in the future. Yet in detail there aredifferences, as some of the externalizations are constantly present, some occur again andagain, although in each instance they are short lived phenomena; and some seldom or onlyonce. In one way or other, also, the flow is everywhere, for as soon as people makethemselves accessible to the senses of others, through physical co-presence or artefactualextensions, they render themselves interpretable” (Hannerz 1992: 4).

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