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© 2001 by Paul Rinzler
SUBSTITUTE CHORDS
Progressions may be created by freely choosing a chord from each column(exceptions: Em7 usually follows G7, and Am7 usually does not follow Db7).
Name of sub.Original chordsDm7G7CM7
Diatonic (3rd up)FM7Bø7Em7Deceptive cadenceAm7Tritone subDb7Secondary dominantD7Key change (M to m)Dø7Im7 or Im(M7)Diatonic & key changeFm7Bo7
INSERTED CHORDS
Progressions are
not
created by freely choosing a chord from each column: substituteprogressions are merely listed for each original chord. Chords in parentheses aretypical chords that follow the substitutes.
Name of sub.Original chordsDm7G7CM7
V after m7Dm7G7II before dom. 7Dm7 G7V before M7G7 CM7II V before M7Dm7 G7 CM7Secondary dominantDm7D7(G7)Diatonic & mode changeDm7Fm7(G7)Parallel diatonicDm7 Em7 FM7(G7)Parallel chromaticAb7 G7F#7 G7DbM7CM7BM7CM7Authentic cadenceCM7 G7 CM7Plagal cadenceCM7 FM7 CM7Blue note embellishmentsD#o7 CM7Basie ending*Dm7D#o7 CM7
 
© 2001 by Paul Rinzler
EXAMPLES USING TUNES FROM THE REAL BOOKTuneBarsOriginalNewSubstitution
DiatonicThe Song Is You5-6CM7Em| Dm7G7 |CM7Em|
FM7
G7 |DeceptivecadenceIsn't It Romantic?2-3Fm7Bb7|EbM7 Eo7| Fm7Fm7Bb7|
Cm7 
Eo7| Fm7Tritone subOrnithology7-9Fm7| Bb7|Eb7Fm7|
E7
|Eb7SecondarydominantThere Will NeverBe Another You7-8Cm7|| Bbm7| Eb7Cm7||
Bb7
| Eb7Key change(M to m)The Days of Wineand Roses13-16Eø7 A7 | Dm7 G7 | Gm7 | C7Eø7 A7 | Dm7 G7 |
Gø7
| C7Diatonic & keychangeMisty7-8Gm7 C7| Fm7 Bb7Gm7 C7|
Abm7
Bb7
Insertion
V after m7A Foggy Day11-13Bb6| Bbm6|FM7Bb6
|
Bbm6
Eb7
| FM7II before dom. 7All of Me1-4CM7|| E7||CM7|| E7|
Bm7
E7 |V before M7All of Me25-28FM7| Fm7| CM7FM7| Fm7
G7
| CM7II V before M7All of Me21-25A7 | | Dm7 | | FM7A7 | | Dm7|
Gm7 C7
| FM7SecondarydominantBeautiful Love9-10Dm7| G7Dm7
D7
| G7Diatonic & keychangeSomeday MyPrince Will Come9-12Dm7| C#o7|Cm7| F7Dm7| C#o7| Cm7
Ebm7
| F7Parallel diatonicDays of Wine andRoses11-12Gm7| C7Gm7
Am7 BbM7
| C7
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