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 JOURNAL OF THE WARBURG AND COURTAULDINSTITUTES
Vol. I, No. 1, July 1937
Sign and Symbol (I, pp. 1-11)
 Jacques Maritain; Mary Morris
 The Early History of Man in a Cycle of Paintings by Piero di Cosimo(I, pp. 12-30)
Erwin Panofsky 
 The Rood of Bromholm (I, pp. 31-45)
Francis Wormald
Alkestis in Modern Dress (I, pp. 46-60)
E. M. Butler 
A Marsilio Ficino Manuscript Written in Bruges in 1475, and the AlumMonopoly of the Popes (I, pp. 61-62)
F. Saxl
Donatello’s Judith: A Symbol of ‘Sanctimonia’ (I, pp. 62-63)
Edgar Wind
An Emblem by Holbein for Erasmus and More (I, pp. 63-66)
George Clutton
AEnigma Termini (I, pp. 66-69)
Edgar Wind
A Classical Quotation in Michael Angelo’s “Sacrifice of Noah” (I, p.69)
E. Gombrich
Platonic Justice, Designed by Raphael (I, pp. 69-70)
Edgar Wind
 The Maenad under the Cross. Comments on an Observation byReynolds (I, pp. 70-71)
Edgar Wind
Some Examples of the Role of the Maenad in Florentine Art of theLater Fifteenth and Early Sixteenth Centuries (I, pp. 71-73)
F. Antal
 The Power of the Name? (I, p. 73)
F. Saxl
A German Sancho Panza (I, pp. 74-77)
W. F. Mainland
 The Pseudonym of Spinoza’s Publisher (I, pp. 77-78)
 
Charles Singer 
An Emendation of Pope by Lessing (I, pp. 78-79)
Edgar Wind
An Unknown Letter of Nicolas Poussin (I, pp. 79-82)
Richard Salomon
Vol. I, No. 2, October 1937
Rhetoric and Politics in Italian Humanism (I, pp. 83-102)
Delio Cantimori; Frances A. Yates
Italian Teachers in Elizabethan England (I, pp. 103-116)
Frances A. Yates
 The Hypnerotomachia Poliphili in 17th Century France (I, pp. 117-137)
 Anthony Blunt 
In Defence of Composite Portraits (I, pp. 138-142)
Edgar Wind
Albrecht von Brandenburg as St. Erasmus (I, pp. 142-162)
Edgar Wind
Machiavelli in an Unknown Contemporary Dialogue (I, pp. 163-166)
Felix Gilbert 
Elizabethan Manuscript Translations of Machiavelli’s Prince (I, pp.166-169)
Napoleone Orsini
A Scene from the Hypnerotomachia in a Painting by Garofalo (I, pp.169-171)
F. Saxl
Patience and Chance: The Story of a Political Emblem (I, pp. 171-177)
Rudolph Wittkower 
Some Musical Representations of the Temperaments (1) Democritusand Heraclitus: A Duet in Major and Minor; (2) The Melancholicus inInstrumental Music (I, pp. 177-180)
 Alfred Einstein
 The Christian Democritus (I, pp. 180-182)
Edgar Wind
A Heathenish Fountain in St. Wolfgang (I, pp. 182-183)
F. Saxl
 The Saint as Monster (I, p. 183)
Edgar Wind
 
Physiognomical Experiments by Michelangelo and His Pupils (I, pp.183-184)
Rudolph Wittkower 
Verrio’s ‘Terribilita’ (I, pp. 184-185)
Edgar Wind
Vol. I, No. 3, January 1938
Anonymous Gods (I, pp. 187-196)
E. Bikerman
 The ‘Romano-Campanian’ Coinage: An Old Problem from a NewAngle (I, pp. 197-203)
Harold Mattingly 
Relics of Pagan Antiquity in Mediaeval Settings (I, pp. 204-220)
W. S. Heckscher 
 Josephus the Physician: A Mediaeval Legend of the Destruction of  Jerusalem (I, pp. 221-242)
Hans Lewy 
 The Criminal-God (I, pp. 243-245)
Edgar Wind
 The Crucifixion of Haman (I, pp. 245-248)
Edgar Wind
 The Criminal-King in a 19th Century Novel (I, pp. 248-249)
 Anthony Blunt 
A Portrait of Constance of Sicily (I, pp. 249-251)
S. H. Steinberg
Imaginary Journeys from Palestine to France (I, pp. 251-253)
Hans Lewy 
Miraculous Birds (1) ‘Physiologus’ in Beatus Manuscripts; (2) ‘Roc’:An Eastern Prodigy in a Dutch Engraving (I, pp. 253-257)
Rudolph Wittkower 
 The Isle of the Amazons: A Marvel of Travellers (I, pp. 257-259)
 Albrecht Rosenthal
 Two Notes on the Cult of Ruins: (1) Ruins and Echoes; (2) UtopianRuins (I, pp. 259-260)
Edgar Wind
A Symbol of Platonic Love in a Portrait Bust by Donatello (I, pp. 260-261)
Rudolph Wittkower 
Homo Platonis (I, p. 261)
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