Professional Documents
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Meridian
Patrick McEvoy-Halston
English 429C
Dr. Douglas
l9 November2004
(tSIf
Though I am awarethat manyreadersof CormacMcCarthy's Blood Meridian are
dismayedby the extentof the violence in the novel, I am not surprisedto learn that manyreaders
actually find the novel to be an exhilaratingread. That is, I cannotpretendthat the pleasure
somereaderstake in the novel is a problem I would like to solve, for I too enjoyedthe novel, and
7
hold McCarthy accountable.Sincebeing victimized can draw us to enjoy being perpetrators,I
merciless
us to enjoyGlanton'smercenaries'
believethatMcCarthyactuallyencourages but
t*
efficaciousslaughterby frst havingus ride along sidethe haplessCaptainWhite. WhenGlanton
*"
andhis ridersmassacrethe Delawarevillage, we may in fact not only understandit asan answer k:
(Ce-otrz'^ '
i ,^^Jt*-
to the Apache'sslaughter,but experienceit asimmenselysatisffing responseto previousabuse.k(*r*' ^
ir t*r
McCarthy therebymaneuversus into agreeingwith the judge that one lives best when one lives , I'
b"; I
.71")^- fffOl'',tt l
like Glanton and his riders do, that is, by embracingone's inner savagery.
McCarthy beginshis novel in such a way that, regardlessof the natureof our past
involves us in his story world by speakingdirectly to us, and by encouragingus to identify with
tJY
In the first line his narratorexplicitly speaksto us. He acknowledgesour
the protagonist-"l<id.'
rs0
journey similar to our own: both of us ventureinto unfamiliar territories. And as the unfamiliar
land we arejourneying into quickly provesto be a very dangerousone, mightn't we too hope to
brings with him anotherrider: namely, us, the readersof McCarthy's novel. McCarthy induces
expeditionservesas a kind of exemplum,the sort of story that the judge would useto
,rff,
demonstratethe rightnessof his understandingof men.
At the end of the novel the judge proclaimsthat there are three sortsof men. There are
thosewho aren't warriors. who can't move other men-the leastof men. Then there are two
sortsof warriors: thosewho can dance,and thosewho can't. True dancersare those"who have
offeredup [themselves]t. . .l entireto the blood of war" (331). True dancerskill becausekilling
"instrument of liberation in a dark and troubled land" (34), White is one such false dancer. He
v{ i -'-
lu
aims, that is, to civlhze a land, to protectcitizens "from the notoriouspacks of cut-throats trl''P..^.'$
presentlyinfesting the routeswhich they are obliged to travel" (i+1. \o doutt he enj-ioys
t' i'sgoct"
Nhc,:.rt-^ fu rl iqr,in *.1--1-{".-
prusg.-c\t
but [s he is apparehtlyintent on beir\g a wealthy land owner, he seemsto hope for
slaught-er,
saddenanddisgusthim. Whenthe kid first meetsWhite, the kid notesthat he was apparently ."/- a.<_
"sad[dened]"(33) by the efforts of "a heathenhorde[which] ridesover the land looting and
killing with total impunif' (33). Unableto give himself entireto the blood of war, White can
[h]istorical law" (250). And in how he porhaysWhite andhis riders' joumey throughthe desert,
3
ccnrirmc':^1 atft'w^I
areboth weak in spirit and doomed for failure. {t*\
White and his party havel through a hostile landscape. Nature can only be thought of as
- *1(*tf,r'"
being kind to thern in that it forewarns them oftheir inevitable, horrid fate: "[t]hose first days .. l?
.-ld their shadowsdown the night andleavingin the moonlight a vaporousdustlike thepaleststain
\r,,.lto t
| 'oftheir
/-...
,. I -.\ passing."(47).In contrast,theriders'"animalswerefailing [. . .] [:] thewretchedponies /
fi'v . t*
-\ i'.
i,"Pt huddledandwhimperedlike dogs"(47). Natwe is describedasif it eagerlyanticipates
u"l ^l
tV"
' d" devouringWhite andhis men. At dusk,the sunstoodlike a "headof a greatred phallus[that] [. .
c{ .rt
I^rl \ tf'
I" j .l puls[ed] malevolent[ly] behind them" (45). The sun invokes shadows which were like
'lentacles
to i1 [determined]to bind them [i.e., White andhis riders] to the darknessyet to come"
.+'\
" (45). White's men arefearful: "They haltedin the dark to recruit the animalsandsomeof the
":n5 '
t men stowedtheir armsin the wagonsfor fear of drawingthe lightnn€' (47). And theybehave
.*.rfr
-
asthosewho aredesperateandsuspectthey might soonperishwould: they pray to God.
adversity.White's men areportrayedasifthey lack the innerresourcesto detail with sucha -.,
'
harshterrain. Unpreparedto dealwith a landscapewhich refusesto offer up eithergameor T
water,unableto improvise,to rely on their own cururing,they ask God for assistance.We
t*
shouldnotethat tuming to God is alwaysa badideain Blood Meridian, for if God answers,he
,ot
1 answersin anger. For instance,the kid stumblesuponcolpsesofffi-rtn--"-u)ur"*icanswho
their requestwe aretold that "[t]he thundermovedup from the southwestandlightning lit the
Sincethis is the first time "God" appearsin the text sinceHayward'sprayer,McCarthy p 2ar.$,^*
us to imaginethe hordeasGod's responseto (wayward?)Hayward'sprayer. It
encourages 43-,*r.a*rrt^
environto be "the high road to hell" (45), still insist on understandingHim assomeonewho
responds
favourably fromthemeek
torequests anddowntroaa*5rffi*#t'tr, #fr"t#,,k ?:':
lLl a^ r^
warriors,that is, to the devastating'legion ofhorribles" (52) which rides"down upon [White iit^ GJ's
9r'A)icr-
andhis riders] [. . .] like a hordefiom a hell more horrible yet thanthe brimstoneland of
men. The captainhad informedthe kid that thosethey were fighting were a "race of
who kill with total impunity arethe strongest,not the weakest,of men.
McCarthyensuresthat CaptainWhite's last words in the text identify him asa total
hordematerializeswe shouldeffectivelycountourselvesamongstthoseadvancedandtrodden
vzt
upon. Perhaps,andpossiblyvery likely, we might at somelevel feel someof the horror, someof
- about on the ground with a peculiar bandleggedtrot like creaturesdriven to alien forms
ttnunn*oiT of locomotion and stripping the clothesfrom the deadand seizingthem up by the hair and
passingtheirblades aboutthe skulls of the living and the deadalike and snatchingaloft
the bloody wigs and hacking and chopping at the nakedbodies,ripping off limbs, heads,
of the savagesso slatheredup with gore they might have rolled in it like dogs and some
who fell upon the dying and sodomizedthem with loud cries to their fellows. And now
the horsesof the deadcamepounding out of the smoke and dust and circled with flapping
leatherand wild manesand eyeswhited with fear like the eyesof the blind and some
were featheredwith anows and some lanced through and stumbling and vomiting blood
as they wheeledacrossthe killing ground and clatteredfrom sight again. Dust stanched
the wet and nakedheadsof the scalpedwho with the fringe of hairbelow theirwounds
and tonsuredto the bone now lay like maimed and nakedmonks in the bloodslakeddust
Mexican captainoffers him water, the captainlets the kid know that could easily have slain him.
The captainlikens him to a little lamb who calls for his mother,that is, to someonewho is ripe
tr-'o
for slaughterby wolves (65). Wolves don't catchhim, but Mexican soldiersdo; and McCarthy
describesthe kid's captureso that the kid seemsto us unprepared,easygame: "the kid was
standingby the cart pissingwhen the soldiersrode into the yard. They seizedhim and tied his
handsbehind him and they looked in the cart" (69). While imprisonedwe learn that "[a]ll day
small boys perchedon the walls and watchedby shifts and pointed andjabbered. They'd walk
aroundthe parapetand try to piss down on sleepersin the shade"(71). The kid throws a stoneat
rr^^{ p<'t{.r *i".<- t& - h, t-" .t ,' L; g Ji*
oneof themandmanagesto scarethem away,but by how we might wish he wascapableof
a ,""_.!
mountinga more devastatingresponseto his varioustormentors.
far in his joumey, surelysomeof us wish the kid could associatehimself with wirmersfor a
pdtL. \.'v\ ..- l'i^ ,h " {x'-, ' i lk''l fi-t (c''L
b".{ tL-
w:bltau"' cr'-^ 6'f" L''r
t' r,.-t \ " '"r''"Ltt;s
A,'- o*.r J i+ - 6( W4ll..-
"'rI. u.t^.k." 6t^l^^
change.And, asif in answerto our call, a winnershowsup: Glantonandhis outriderscome
shorttwobarreledrifles with boresyou could stick your thumbsin" (78). Unlike White, the /.
leaderof this gangis a true dancer. We know early on, aswhenhe makesthe animalsabouthim
ul-z*
explodeand"dance"while testinghis guns,that Glantonis not a manwho will pretendto be a I
moral crusader.Being in his companyis presentedasifit werea sofi ofprivilege: the kid and
part of his gang(all the kid hadto do wasto bestandkill a bartenderfor White to seekhim ou$. w<tJ* 3+
And in a way it is: while the kid rideswith him the kid doesn'tknow defeatfor quite sometime.
Riding with Glanton,in fact, seemsto respondto, to quit, variousexperiencesthe kid hadwhile
his gangjust ashe did with White andhis riders. But whereaswith White, naturewasporhayed
in accordwith nature. We aretold, for example,that "their track acrossthe landreflectedin its I,
(L*- |
' {| ' -r'
faint arcaturethe movementsofthe earthitself' (153),andthat "the men asthey rode tumed
o*"'''"*
8
black in the sun from the blood on their clothesandheir facesandthenpaledslowly in the rising
dustuntil they assumedoncemote the color of the land throughwhich they passed"(160). We
transformedwhile the kid rideswith Glanton.That is, for the readerthey beginto accrue
Hayward'sprayerfor help. Thejudge tells themto 'biss, [. . .], piss for your very
rermernber
,/
souls" (1,32),andwe might rememberWhite's men encouragingHaywardto "[p]ray it up" (47)
for rain. But while Hayward'sprayerfor rain seemsto havebroughtuponhim the horrible ?yaaW(
horde,thejudge's requestfor urine ensureshis groupan easyvictory. The text could not provide
charactenzedas natural companionsin the way that the judge and Glanton, for instance,ffie.
"they" (often with "They rode" or "They ride") in the text, many of us likely imagine them as
9
unitedthroughoutmuchoftheirjoumeystogether.Thenarratorovertlytellsus at onepointthat:
to
"They rode on. They rode like meninvestedwith a purposewhoseorigins were antecedent
themwasdiscreteuntohimself,conjoinedtheymadea [. . .] communalsoul"(152). *-
easily shakenoff by the reader,I believe that as we hear of Glanton and his rider0'slcommunal
r\e"
aspects,of how they ride and ride, and of how they ride with a purpose,that many of us at some
4,,.,".-,4
9- .t*f^::,^ re."6..,1:
level both senseand hope that their mission is to provide a Saxonresponseto the Apaihe's
q.^6cI/.
massacrewe aresufferingfrom. I previouslyquoteda langthypassagefrom the Apache's /Zz.r.l fe,(l"Gs-
h \t'* rc'}.;5-
[o, {- massacreof White's ridershopingI would therebyrernindmy readerof how affecting,of ho*
ll..r-'rL .l-
awful it might havebeenfor themto havereadthat passagefor the first time. I alsodid to in
&nr,l )^*l+
hopesof persuadingmy readerthat this sceneinvolving Glanton'sriders' massacteof both the JL-.t +l'*-(-
r1tf\-
dii!-
Delawarevillage recalls and repliesto it:
!r'. rr,.'' t""]xs
Within that first minutethe slaughterhadbecomegeneral.Womenwere screamingand pt.Codh't
"f
b,t: l'
nakedchildren and one old man totteredforth waving apair of white pantaloons. The
dogs were howling and others were racing crazedamong the huts ripping at one another i.i(.>+k,>
I
\e^ and at the tied dogsnor would this bedlam and clamor ceaseor diminish from the first n -RL-
CNr \
trf' moment the riders enteredthe village. Already a number of the huts were afire and a Ct,-ftrtix-
I
il*t
whole enfiladeof refugeeshad begun steamingnorth along the shorewailing crazilywith ?^Z'
Glanton and his chiefs swung back through the village people were running out under the
horses'hoovesand the horseswere plunging and someof the men were moving on foot
10
thebloodiedforefeetof Glanton'swarhorse.(156)
womanranup andembraced
moming they sawfires" (152),that "Whan the companyset forth in the eveningthey continued
:.-5$
southasbefore"(153),that"They sawto their arms"(154),that"They'd drivena stickinto the
horses"into war" (155). On the Vintage editionof Blood Meridian, a casefor my argumentcan
begiruringwith "T."
sequentiallyis
It is importantto notethat the effect of encounteringthesetwo massacres
Glanton's"chiefs"(156)andarguethatMcCarthymovesus to seeSaxonsandApachesas
detailsof him doing somethingworth noticing. For example: "Glantonbroughtthe rifle to the
the rifle anddrew his pistol andbeganto fire betweenthe actualearsofhis horse"
resheathed
ratherthan a period.
blood of war," or at leastto admirethosewho do? I would like to think that he craftedthis novel
this essaythat his novel affectsusprimarily subliminallyor unconsciously,I don't think this was
exists,certainlyhasme suspectingthat whenhe craftedthis novel, "the devil was at his elbow"
(1e).
?.i^;^L-
1t; ir G^ er,.tlrJ c'u1 oAr^X.'tt /" .(l'- t""n"T t uibbvt<',
"J -:-:{_ft
f *fg_aCg: H.r" y..tu yn ?*,' a-\ av,.;kp-1.--c[,* d(Lu|>u
9|ai"
{' l"ttL! 3|,'"1, ;n*'.N a-"r*.dlnt,,y:h:y .(k tsoL,^'-\. ia*,orX***.
(( c',n1d);-1 ',*"3,"'Jvc, 'l}.'l {ei"q l-r'y n [l:
a-l "-.-l
:'lt- /*F's 7,' 4r ..
++-
q$t J. 1* 1,r,.r.r... (r c*J<--tt:Si, a^,9 a-,b,l,.J,t- E.ds< 7"' a,l'less N- J
,€"\il ctl\[,:"\t f +t tJ'. !u- ., $. a,,lo.* ,,ff'J Jn rc*;,o .IL +A,) w'z"lcn4
g,"!c^rs
,..t t^{". rrP fu r*t.o( ,r-V L.: I WL y,.,r d,te"ts;+{ 44'oit Yk, ,L-'
so't"t /.z'.- {
C-uru.nc,n1. 1k^.( LGaL >o.- ltte,r-r .lh^/ r.r-
(,y'd ^,A cknr - fl*
d'n as'*glu +l^^+,14.Jr1't oJ,.., ,,rt vh,h,I o*t J.*;l l'^'' ".ilL 4: 4 ,f*'!^t *-
* 6'o( ! Il'' -^n,.t"'
v9 c-s vict.-. L."-r ! r*", 6 wrt,/'ve- F
7r^*,-
-lr,,.L ar"'rLl* \10')*'4 r';A 9a t"a^l ('all
f, tte-" Ato, W no,"1,'/et+ /o
f"'^\ -s o' llt rut*'
antzs, w ,l..tu&.f. - loc",a u,
,,t",ltt t,te &u 9*l co^ L s^''J "-U
h,*Lt{- TL.f i5 r,nnyt-rvr'e-.-o{' , A
Works Cited
McCarthy, Cormac. Blood Meridian: Or the EveningRednessin the West. New York:
Vintage,1985.
Vintage, 1999.