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Table Of Contents

2.2 HERETICAL EMPIRICISM p. 7
2.3.1 Kinemes and monemes
2.3.2 Grammar
2.3.3 The Sequence Shot Versus Editing Inclusions And Exclusions.
2.4 THEORY AND PRACTICE
3.1 FOUR KEY CONCEPTS, ONE VIDEO
3.2.1 The Curse Of Pigsty And Other Stories
3.2.2 First Experiments. The Excluding Process
3.3.1 Abstracting
3.3.2 From still kinemes to kinemes in movement
3.3.3 From grids to outlines
3.3.4 Changing sequence
3.3.5 Final piece
3.4 MODES OF QUALIFICATION. CLOSE UP AND LONG SHOT
3.5.1 Long Take vs Editing
3.5.2 Order and Construction of the Meaning
3.6.1 Space
3.6.2 Time
3.6.3 Addition
3.6.4 Subtraction
3.6.5 Different media
3.7 FINAL PIECE
4. CONCLUSION
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PASOLINI’S FILM THEORY

PASOLINI’S FILM THEORY

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Published by parabarbosa

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Published by: parabarbosa on Sep 16, 2010
Copyright:Attribution Non-commercial

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05/12/2014

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