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Table Of Contents

SHORT COURSES BOOKS AND WEB SITE
THE 5D MARK II CAMERA
JUMP START—USING FULL AUTO MODE
ANATOMY OF THE CAMERA
CHANGING SETTINGS WITH BUTTONS AND DIALS
THE QUICK CONTROL DIAL
CHANGING SETTINGS ON THE QUICK CONTROL SCREEN
THE QUICK CONTROL SCREEN
USING THE QUICK CONTROL SCREEN
DUAL FUNCTION BUTTON SCREENS
CHANGING SETTINGS WITH MENUS
PLAYING BACK & MANAGING YOUR IMAGES
USING THE PLAYBACK MENU
SELECTING IMAGE QUALITY AND SIZE
HOW AN IMAGE IS CAPTURED
IT’S ALL BLACK AND WHITE AFTER ALL
CHOOSING IMAGE SIZE AND QUALITY
UNDERSTANDING EXPOSURE
THE SHUTTER CONTROLS LIGHT AND MOTION
THE APERTURE CONTROLS LIGHT AND DEPTH OF FIELD
USING SHUTTER SPEED AND APERTURE TOGETHER
EXPOSURE—FAUCETS & BUCKETS ANALOGY
EXPOSURE—SEESAW ANALOGY
RETAINING HIGHLIGHT AND SHADOW DETAILS
USING CREATIVE AUTO (CA) MODE
USING PROGRAM AE (P) & PROGRAM SHIFT
USING SHUTTER-PRIORITY (Tv) MODE
USING SHUTTER-PRIORITY (TV) MODE
USING APERTURE-PRIORITY (AV) MODE
USING APERTURE-PRIORITY (Av) MODE
USING MANUAL (M) MODE
HOW YOUR EXPOSURE SYSTEM WORKS
METER AVERAGING AND MIDDLE GRAY
SUBJECT AGAINST A VERY LIGHT BACKGROUND
SUBJECT AGAINST A VERY DARK BACKGROUND
SCENES WITH HIGH CONTRAST
HOW OVERRIDING AUTOEXPOSURE WORKS
USING EXPOSURE COMPENSATION
HOW TO OVERRIDE AUTOMATIC EXPOSURE
EXPOSURE COMPENSATION
AUTOEXPOSURE (AE) LOCK
AUTOEXPOSURE BRACKETING (AEB)
EVALUATING HISTOGRAMS
DISPLAYING HISTOGRAMS
USING THE SELF-TIMER/REMOTE SWITCH
GETTING SHARPER PICTURES
SUPPORTING THE CAMERA
SHARPNESS ISN’T EVERYTHING
HOW TO PHOTOGRAPH MOTION SHARPLY
DIRECTION OF MOVEMENT
DISTANCE TO SUBJECT AND FOCAL LENGTH OF LENS
FOCUS AND DEPTH OF FIELD
CHECKING DEPTH OF FIELD
SELECTABLE FOCUSING POINTS
DISPLAYING AF POINTS IN PLAYBACK
CONTROLLING DEPTH OF FIELD
USING DEEP DEPTH OF FIELD
USING SHALLOW DEPTH OF FIELD
CONVEYING THE FEELING OF MOTION
WHERE DOES COLOR COME FROM?
WHITE BALANCE AND COLOR
USING PRESET WHITE BALANCE SETTINGS
CREATING AND USING A CUSTOM WHITE BALANCE SETTING
USING A SPECIFIC COLOR TEMPERATURE
SELECTING A COLOR SPACE
USING WHITE BALANCE CORRECTION & BRACKETING
USING WHITE BALANCE CORRECTION/ BRACKETING
COLOR AND TIME OF DAY
SUNSETS AND SUNRISES
PHOTOGRAPHING AT NIGHT
THE DIRECTION OF LIGHT
THE QUALITY OF LIGHT
CANON LENSES
ELECTRONIC LENS MOUNT
FOCUSING TECHNOLOGY
INFORMATION ON A CANON LENS
LENS PERIPHERAL ILLUMINATION CORRECTION
ZOOM LENSES
NORMAL LENSES
MACRO LENSES AND ACCESSORIES
PERSPECTIVE IN A PHOTOGRAPH
HOW FLASH WORKS
USING A CANON SPEEDLITE
CONTROLLING FLASH EXPOSURES
FLASH EXPOSURE COMPENSATION
FLASH EXPOSURE (FE) LOCK
USING FLASH EXPOSURE (FE) LOCK
EXTERNAL SPEEDLITE CONTROL
FLASH FUNCTION SETTINGS
CUSTOM FUNCTIONS
CUSTOM FUNC- TIONS
FLASH EXPOSURE BRACKETING (FEB)
POSITIONING THE FLASH AND SUBJECTS
USING FILL FLASH
USING SLOW SYNC FLASH
USING AVAILABLE LIGHT
USING FLASH IN CLOSE-UPS
STUDIO LIGHTING
CANDIDATES FOR STUDIO LIGHTING
PORTRAIT AND PRODUCT PHOTOGRAPHY—INTRODUCTION
THE MAIN LIGHT
THE RIM LIGHT
REMOTE CONTROL PHOTOGRAPHY
SHOOTING STILL IMAGES IN LIVE VIEW
LIVE VIEW/MOVIE FUNCTION SETTINGS
USING LIVE VIEW FUNCTION SETTINGS
LIVE VIEW FUNCTION SETTINGS
AF MODE
GENERAL TIPS IN LIVE VIEW
LIVE VIEW FOCUSING TIPS
MAGNIFIED VIEW FOR FOCUSING
LIVE VIEW EXPOSURE TIPS
SHOOTING MOVIES IN LIVE VIEW
USING A TV AS THE MONITOR
SELECTING PICTURE STYLES
ADJUSTING PICTURE STYLES
REGISTERING A PICTURE STYLE
REGISTERING PICTURE STYLES
REGISTERING YOUR OWN SETTINGS
C.FN III: AUTO FOCUS/DRIVE
C.FN IV: OPERATION OTHERS
SHOOTING WITHOUT A CF CARD
SETTING THE DATE AND TIME
CHANGING THE REVIEW TIME
TURNING THE BEEP ON AND OFF
CREATING AND SELECTING FOLDERS
CLEANING THE IMAGE SENSOR
CLEANING THE CAMERA AND LENS
PROTECTING YOUR CAMERA FROM THE ELEMENTS
PROTECTING WHEN TRAVELING
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Canon EOS 5D Mark II Short Course

Canon EOS 5D Mark II Short Course

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Published by Charlie Reyes

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Published by: Charlie Reyes on Oct 01, 2010
Copyright:Attribution Non-commercial

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06/10/2013

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