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Table Of Contents

b) Ortodoxie `i doxologie
2. Cuvânt `i cântare: teologie, apofatism, doxologie
3. Cântarea bisericeascæ, reflex al doxologiei cere`ti
5. Concluzii
I. Tradi\ia
II. Influen\e
III. Actualitate
3. Secolul XX: continuitate, adaptare, sintezæ
5. O concluzie generalæ
1. Estetic `i lturgic
2. O perspectivæ istoricæ
1. Permanen\æ în cântarea liturgicæ ortodoxæ
2. Schimbare în cântarea liturgicæ ortodoxæ
a) Evolu\ii istorice ale cântærii liturgice
3. Concluzii
I. Considera\ii introductive asupra simbolului liturgic
II. a) Cuvântul `i analogia în cântarea bisericeascæ
III. Cântarea ortodoxæ ca simbol liturgic
Concluzii
Introducere
II. „Ra\iunile“ biserice`ti ale cântærii liturgice ortodoxe
I. Via\a `i activitatea lui Ion Popescu Pasærea284
1. Caracteristicile cântærii ortodoxe
A. Aspecte structurale „interne“
a) Caracterul vocal `i monodic
b) Aspectul modal
c) Nota\ia `i aspectul intona\ional
B. Aspecte structurale „externe“
A. Biserica
B. Øcoala
D. Tipæriturile muzicale `i scrierile teoretice
E. Activitatea componisticæ
3. Profilul cântære\ului bisericesc
a) Însu`iri religios-morale generale
b) Calitæ\i profesional-morale (speciale)
Concluzii generale
ANEXE
I. Tradition
II. Influences
III. Actuality
II. Decree Nr. 101 of January 18, 1865
BIBLIOGRAPHY
EXHIBIT
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2-Cantarea CA Teologie - ACROBAT

2-Cantarea CA Teologie - ACROBAT

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Published by: Adrian German on Oct 06, 2010
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