MA Court Decision IntroducesDispute About Online Infringement
by Joe Laferrera Joe.Laferrera@gesmer.com
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For several years, the Recording IndustryAssociation of America (RIAA) and record com-panies have attempted to protect the musicindustry by aggressively pursuing individualswho make copyrighted music freely available toothers over the Internet. To thwart the illegaldissemination of copyrighted music, the RIAAhas instituted thousands of lawsuits against
people who have offered up music les to
so-called peer-to-peer networks, where theycan be downloaded for free. With some high
prole exceptions, these lawsuits have been
largely successful, leading to settlements orfavorable verdicts in court.There is no longer much legal doubt thatdistributing hundreds or thousands of copiesof a song to the public without permissionconstitutes copyright infringement, but evi-dentiary and technical hurdles can still make
these cases difcult to pursue. First, the
RIAA typically requires assistance identifyingthe infringing parties, since the exchange of
les over peer-to-peer networks can be done
anonymously. The RIAA only has the “IP” orInternet addresses of the computers involved,and it frequently issues subpoenas to Internetservice providers (ISPs) that provide theInternet connections in order to match the IPaddresses to actual names. Once a defen-
dant is identied, proving that the songs in
question were actually copied by third par-
ties can also be difcult. So, the RIAA has
argued that simply making copyrighted music “available” over the Internet is tantamount tocopying, and therefore establishes proof of illegal infringement.On March 31, 2008, United States DistrictCourt Judge Nancy Gertner, sitting in theDistrict of Massachusetts, largely rejected themusic industry’s “access equals infringement” position. Her 55-page decision in
London-Sire Records, Inc. v. Does 1-21
addresses therecord company’s attempt to compel BostonUniversity to identify the users of certainsuspect IP addresses. Judge Gertner grantedthe defendants’ motion to quash the subpoe-nas, although she left open the possibility of
a modied subpoena to address privacy andidentication issues.
The most interesting part of the decision,however, concerns the applicability of copy-right law to plaintiffs’ allegations: whetherthe defendants have violated the stricturesof the Copyright Act, which prohibits unau-
thorized “distribution” of protected works, by
making copyrighted songs freely available onthe Internet. Judge Gertner concluded that
“merely exposing music les to the Internet
is not copyright infringement.” She rejectedthe efforts by the plaintiffs (and some othercourts) to equate the defendants’ “publica-
tion” of the les with their illegal “distribution,”
stating that “even a cursory examination of the statute suggests that the terms are notsynonymous.” She holds that “the defendantscannot be liable for violating the plaintiffs’ dis-tribution right unless a ‘distribution’ actuallyoccurred.” In short, a college student who
made hundreds of music les available over
a peer-to-peer network has not violated the
Copyright Act until the rst download.
This view suggests a departure from sev-eral older decisions, and even some recentones. Indeed, on the day the decision in
London-Sire
issued, the federal District Courtfor the Southern District of New York reacheda contrary conclusion in
Elektra Entertainment Group, Inc. v. Barker
, stating that “Severalcourts (including the Supreme Court) thathave wrestled with the Copyright Act havegenerally found…‘distribution’ and ‘publication’ to be synonymous.” Whether, and how, the courts reconcilethis issue is still unclear. But until they do,
the music industry may nd some places far
less hospitable than others when pursuingtheir lawsuits.
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