Professional Documents
Culture Documents
Amy Walker
ECED 7232
cover much of the land during the spring. The People called Comanche were in a dire
situation. Drought had taken over their land and their people were dying. The people
prayed for rain and depended on the Great Spirits to restore the land. A shaman informed
the people that they had become selfish and needed to give something back to the Earth
in order for life to be restored. Only one young girl was willing to do this. She sacrificed
her only possession, a valued doll. When she awoke the next morning, the land was
covered with beautiful blue flowers and it began to rain. The People had been forgiven.
Today, the flowers still cover the hills and valleys of the land, now called Texas.
Reflection
The Legend of the Bluebonnet gives an explanation as to why land is covered with
beautiful blue flowers in the spring. Children can better understand the nonscientific
cultural traditions of early humanity when they read how a selfless act, such as when
beautiful for all. The Legend of the Bluebonnet shows the interrelatedness of various
stories in that the motif of good versus evil is evident throughout the story. Also, there is
a sense of magic found in the doll that the young girl burned and the flowers that
appeared the next morning. The land was transformed from a very dry, drought-stricken
land, to a land that appeared green and beautiful. Since the land is said to be known as
what we now call Texas, children can appreciate the traditional culture of our country.
However, I did not find that the literature provided factual information about the land.
The Legend of the Bluebonnet introduces children to the dialect of our ancestors by using
names such as “Comanche”, “Great Spirits”, and “Shaman”. Many children may not be
familiar with this language and therefore question what the terms actually represent.
This book helps children realize that there is an inherent goodness within people. Also, a
The page and book design are effective in that the design and illustrations add to
the content of the book. Bare land, bare clotheslines, and bare teepees are illustrated to
“Drought and famine are hardest on the very young and the very old.”
The text used throughout this book is positioned above or beneath the illustrations, which
is considered formal. The bland colors used throughout the book enhances the mood of
“The Legend of the Bluebonnet”. The illustrations help to gain the reader’s interest and
anticipate the unfolding of the events occurring in the falling action, and resolution. The
young girl appears to be a simple, yet attractive girl, which also conveys a sense of
innocence in the character. The land, village, and people are accurately illustrated
This book is appropriate for upper elementary students. Students can relate the
name of the young girl, “She-Who-Is-Alone” with characteristics of the girl. She was
completely alone… her only possession being the valued doll that she eventually gave
back to the land. The flow and dialogue are easy for children to follow. Children should
be able to make predictions about the resolution throughout the plot of the book. The use
of complex sentences is appropriate for the upper elementary student. For example:
“She looked out over the hill, and stretching out from all sides, where the ashes
had fallen, the ground was covered with flowers—beautiful flowers, as blue as the
feathers in the hair of the doll, as blue as the feathers of the bird who cries”Jay-
jay-jay.”
Some children can relate to “She-Who-Is-Alone” because they, too, feel they are
alone. They may have a sense of inadequacy at school or at home. This book will help
children realize that they can overcome desperate feelings or loneliness in times of need.
and foolishly tells the king that she can spin straw into gold. Of course, the young girl
couldn’t do this, but a very small man appeared and began to make a bargain with her.
He would spin the straw into gold if she would give him her necklace (the first night) and
her firstborn child. Reluctantly, she agreed. A year later, the little man appeared again in
an effort to take her child. He told her the only way she could keep the baby is if she
guessed his name. After several attempts, she could not guess the name. She sent one of
the king’s messengers out to search for unusual names. Instead, he actually came upon
the little man singing a song and he overheard his real name. The queen didn’t have to
Reflection
“Rumpelstiltskin” is a very entertaining story that easily captivates it’s readers;
however, I don’t think that it helps children better understand the nonscientific cultural
traditions of early humanity. There are several motifs found throughout this selection.
transforms straw into gold. The young girl (eventually the queen), must accurately guess
Rumpelstiltskin’s name in order to keep her child. This folktale has been dispersed in
different countries and edited to better entice young children in today’s society. Using
such terms as “king”, “queen”, “king’s merchants”, and “miller”, allow readers to
become more familiar with the culture and language of different countries. However, this
Many activities could be utilized after reading this selection. Children could
participate in creative writing activities that allow them to look at the world through
Rumpelstiltskin’s eyes. They could ask themselves why Rumpelstiltskin would want a
baby and what would have happened if the queen could not guess his name. Students
The illustrations used throughout this book could tell the story of Rumpelstiltskin
without reading text. The illustrators did a wonderful job depicting the events that unfold
throughout the plot of the book. The design and color used in this selection appeal to the
eye and enhance the mood and tone that the author is portraying. One illustration shows
the queen holding her baby up to her chest with Rumpelstiltskin “eyeing” the child.
Rumpelstiltskin is depicted as a cruel, sneaky little man that is obviously plotting to take
her child. This helps the reader anticipate the climax of the folktale. Illustrations also
accurately depict the time period, “Once upon a time…” in that the castle and medieval
This folktale appeals to many children of all ages, primarily early elementary
children (ages 6-8). Students could use the illustrations provided in the book to suggest
the plot, without reading the book. Children in this age are moving into what Piaget
called the “concrete operational stage”. In this stage, they are better able to understand
more complex relationships, such as the relationship between the young queen, the king,
and Rumpelstiltskin. In this stage, children have definite ideas of right and wrong.
character and why. This would open up the opportunity for the teacher to discuss the
standards of conduct in the book. This folktale is full of terms that many early
elementary aged children could add to their vocabularies. The teacher could read the