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The Archaeologist's Field Handbook

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Sections

PREPARING FOR FIELDWORK
DESIGNING YOUR RESEARCH
FINDING FUNDING
ARCHAEOLOGISTS AND ETHICS
PLANNING YOUR FIELD KIT
WORKING WITH THE LEGISLATION
REFERENCES AND FURTHER READING
NAVIGATION AND MAPPING
USING MAPS
USING A MAP TO CALCULATE A GRID REFERENCE
MAKING MUD MAPS
USING AERIAL PHOTOGRAPHS
USING A COMPASS
USING A GLOBAL POSITIONING SYSTEM (GPS)
FINDING NORTH USING YOUR WATCH
SURVIVAL IN THE BUSH
RESPONSIBLE BEHAVIOUR IN THE BUSH
CAMPFIRE COOKING
WHAT IS A SITE?
SYSTEMATIC SURFACE SURVEY
DEVELOPING A SUITABLE SAMPLING STRATEGY
RECORDING INFORMATION IN THE FIELD
KEEPING A FIELD JOURNAL
RECORDING TRANSECTS
RECORDING LANDFORM, VEGETATION AND SLOPE
RECORDING WATER SOURCES
RECORDING SOILS AND GEOLOGICAL FORMATIONS
RECORDING DISTURBANCE
DETERMINING EFFECTIVE SURVEY COVERAGE: WHAT REVEALS, WHAT CONCEALS
WHAT TO DO WHEN YOU FIND A SITE
DEFINING A SITE BOUNDARY
WHAT NOT TO DO AT A SITE
A NOTE ON CLASSIFICATION SYSTEMS
TECHNIQUES FOR CONSTRUCTING A SITE PLAN
USING THE COMPASS AND PACING TECHNIQUE
USING THE BASELINE/OFFSET TECHNIQUE
USING THE BASELINE AND OFFSET TECHNIQUE TO RECORD VERTICAL SURFACES
BASIC PRINCIPLES OF LEVELLING
BASIC EXCAVATION TECHNIQUES
THE BASICS
THE PRINCIPLES OF EXCAVATION
APPROACHES TO EXCAVATION
LAYING OUT A SITE GRID
LABELLING TRENCHES
RECORDING IN THREE DIMENSIONS
RECORDING THE EXCAVATION PROCESS
DESCRIBING DEPOSITS
DESCRIBING CULTURAL FEATURES
DESCRIBING THE EXCAVATION PROCESS
RECORDING SECTIONS
INTERPRETING STRATIGRAPHY
USING A TROWEL AND BRUSH
SIEVING AND SORTING
CONSERVING FINDS ON SITE
LABELLING FINDS AND SAMPLES
COLLECTING SAMPLES IN THE FIELD
MANAGING ARCHAEOLOGICAL COLLECTIONS
USEFUL WEBSITES
RECORDING HISTORICAL SITES
WHAT ARE HISTORICAL SITES?
FINDING HISTORICAL SITES
USING HISTORICAL DOCUMENTS
RECORDING INDUSTRIAL SITES
RECORDING MARITIME SITES
RECORDING STANDING STRUCTURES
RECORDING HISTORICAL ARTEFACTS
RECORDING BOTTLES AND BOTTLE GLASS
RECORDING CERAMICS
RECORDING ORAL HISTORIES
RECORDING INDIGENOUS SITES
WHAT IS AN INDIGENOUS SITE?
RECORDING STONE ARTEFACTS
RECOVERING ARTEFACTS WITH RESIDUES AND USE-WEAR
DEFINING THE BOUNDARIES OF AN OPEN ARTEFACT SCATTER
RECORDING ROCKSHELTERS
RECORDING ROCK ART
RECORDING SCARRED AND CARVED TREES
RECORDING QUARRIES
RECORDING MIDDENS
RECORDING STONE ARRANGEMENTS
RECORDING CONTACT SITES
RECORDING INDIGENOUS HISTORIES
UNDERTAKING ETHNOHISTORIC RESEARCH
WHAT TO DO IF HUMAN REMAINS ARE ENCOUNTERED
HOW TO PREPARE A TENDER
ASSESSING CULTURAL SIGNIFICANCE
THE CATEGORIES OF CULTURAL SIGNIFICANCE
HOW TO ASSESS CULTURAL HERITAGE SIGNIFICANCE
WHAT COMES NEXT? ASSESSING THE IMPACTS OF DEVELOPMENT
DEVELOPING MANAGEMENT STRATEGIES
STRATEGIES FOR MANAGING WORK AT CULTURAL HERITAGESITES
BEFORE YOU SUBMIT YOUR REPORT
PHOTOGRAPHY AND ILLUSTRATION
HOW A CAMERA WORKS
TAKING GOOD SHOTS
HOLDING THE CAMERA
WHEN TO USE A TRIPOD
CHOOSING THE RIGHT CAMERA: SLR VS DIGITAL
MAINTAINING YOUR EQUIPMENT
CHOOSING THE RIGHT FILM
SCALES AND INFORMATION BOARDS
PHOTOGRAPHING STANDING STRUCTURES
PHOTOGRAPHING EXCAVATIONS
TAKING AERIAL PHOTOGRAPHS
PHOTOGRAPHING ROCK ART
PHOTOGRAPHING ARTEFACTS
KEEPING PHOTOGRAPHIC RECORDS
THE BASICS OF FIELD ILLUSTRATION
DRAWING HORIZONTAL SURFACES (PLANS)
DRAWING VERTICAL SURFACES (SECTIONS)
DRAWING ARTEFACTS
DRAWING STONE ARTEFACTS
DRAWING CERAMICS
DRAWING ROCK ART
STORING PHOTOGRAPHS AND ILLUSTRATIONS
USEFUL WEB SITES
GETTING YOUR RESULTS OUR THERE: WRITING, PUBLICATION AND INTERPRETATION
WRITING WELL
GETTING STARTED
THE STAGES OF WRITING
TECHNICAL REPORTS
CONSULTANCY REPORTS
HOW ACCOUNTABLE IS YOUR REPORT?
COMMUNITY REPORTS
SPECIALIST PUBLICATIONS
WEBSITES
PRESS RELEASES
PRODUCING A PROFESSIONAL PRODUCT
PUBLIC PRESENTATIONS
USING POWERPOINT
INTERPRETING ARCHAEOLOGY TO THE PUBLIC
PRESENTING YOUR RESEARCH AS A POSTER
CLASSIC ERRORS AND HELPFUL HINTS
SURVEY: BACKGROUND INFORMATION
SURVEY: OPEN SITES
SURVEY: SCARRED OR CARVED TREES
SURVEY: QUARRIES
SURVEY: STONE ARTEFACTS
SURVEY: CEMETERIES
EXCAVATION 1
EXCAVATION 2
PHOTOGRAPHY
INDEX

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Upload Date:	11/28/2010
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