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Table Of Contents

1. Reader’s Guide
Table 1-1: The structure of the report
2. Background
2.1 Digital Europe: Ebusiness and Sustainable Development
2.2 The EMI Group
2.3 The EMI Case Study
3. The Environmental Dimension of Digital Music
3.1 Objectives and Methodology
3.1.1 Objectives
3.1.2 Underlying Methodology – the MIPS Concept
3.1.3 Service Unit
3.2 Setting the System Boundaries
3.2.1 Scoping
3.2.2 Physical Retail Scenario
3.2.3 Online Shopping Scenario
3.2.4 Digital Delivery Scenario
Box 3-1: Material intensity: Production site
Box 3-2: Material intensity: CD production
Box 3-3: Material intensity: Transport retailer to consumer
Box 3-4: Material intensity: National Distribution Centre
Box 3-5: Material intensity: CD shop
3.3.2 Online Shopping Scenario
Box 3-6: Material intensity: Consumers PC + monitor (production)
Box 3-7: Material intensity: Consumer’s PC + internet usage (use phase)
3.3.3 Digital Delivery Scenario
Box 3-9: Material intensity: CD-R production
Box 3-10: Material intensity: Download
Box 3-11: Alternative Setting37 : Material intensity – digital download
Box 3-12: Material intensity: Consumer’s PC + monitor (production)
Box 3-13: Material intensity: CD burning
3.4.1 Physical Retail Scenario
3.4.2 Online Shopping Scenario
3.4.3 Digital Delivery Scenario
3.5 Discussion & Conclusion
Box 3-15: Comparison of the results
4. The Social Dimension of Digital Music
4.1 Objectives
4.1.1 Methodology
4.2 The social life of music
4.3 The emergence of digital music
4.4 Access to music
4.5 New opportunities for creativity
4.6 Promoting diversity
4.7 New forms of participation
4.8 Conclusion: Corporate social innovation
5. Future Trends
5.1.1 Penetration of Broadband Infrastructure Increases
5.1.2 Mobile Internet
5.1.3 Internet Access via TV
5.1.4 Increasing Portability
5.1.5 Market share of CDs decreases
5.1.6 Music Sold as Add-On
6. Recommendations
References
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Digital Europe Music Case Study

Digital Europe Music Case Study

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Published by PilgrimSpy

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Published by: PilgrimSpy on Dec 07, 2010
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11/09/2011

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