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26658237 a History of American Literature 2004

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Olivia Marinescu

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Sections

Imagining Eden
Native American Oral Traditions
Spanish and French Encounters with America
Anglo-American Encounters
Writing of the Colonial and Revolutionary Periods
Puritan narratives
Challenges to the Puritan oligarchy
Some Colonial poetry
Enemies within and without
Trends towards the secular and resistance
Towards the Revolution
Alternative voices of Revolution
Writing Revolution: Poetry, drama, ﬁction
Making a Nation
The Making of American Myths
Myths of an emerging nation
The making of Western myth
The making of Southern myth
Legends of the Old Southwest
The Making of American Selves
The Transcendentalists
Voices of African American identity
The Making of Many Americas
Native American writing
Oral culture of the Hispanic Southwest
African American polemic and poetry
Abolitionist and pro-slavery writing
Abolitionism and feminism
African American writing
The Making of an American Fiction and Poetry
The emergence of American narratives
Women writers and storytellers
Spirituals and folk songs
American poetic voices
the development of american literature, 1865–1900
Rebuilding a Nation
The Development of Literary Regionalisms
From Adam to outsider
Regionalism in the West and Midwest
African American and Native American voices
Regionalism in New England
Regionalism in the South
The Development of Literary Realism and Naturalism
Capturing the commonplace
Capturing the real thing
Towards naturalism
The Development of Women’s Writing
Writing by African American women
Writing and the condition of women
The Development of Many Americas
Things fall apart
Voices of resistance
Voices of reform
The immigrant encounter
Changing National Identities
Between Victorianism and Modernism
The problem of race
Building bridges: Women writers
Critiques of American provincial life
Poetry and the search for form
The Inventions of Modernism
Imagism, Vorticism and Objectivism
Making it new in poetry
Making it new in prose
Making it new in drama
Traditionalism, Politics and Prophecy
The uses of traditionalism
Populism and radicalism
Prophetic voices
Community and Identity
Immigrant writing
Native American voices
The literature of the New Negro movement and beyond
Mass Culture and the Writer
Western, detective and hardboiled ﬁction
Humorous writing
Fiction and popular culture
Towards a Transnational Nation
Formalists and Confessionals
From the mythological eye to the lonely ‘I’ in poetry
From formalism to freedom in poetry
The uses of formalism
Confessional poetry
New formalists, new confessionals
Public and Private Histories
Documentary and dream in prose
Contested identities in prose
Crossing borders: Some women prose writers
Beats, Prophets and Aesthetes
Rediscovering the American voice: The Black Mountain writers
Restoring the American vision: The San Francisco renaissance
Recreating American rhythms: The beat generation
Reinventing the American self: The New York poets
Resisting orthodoxy: Dissent and experiment in ﬁction
The Art and Politics of Race
Deﬁning a new black aesthetic
Deﬁning a new black identity in prose
Deﬁning a new black identity in drama
Telling impossible stories: Recent African American fiction
Confronting the real, stretching the realistic in drama
New Journalists and dirty realists
Watching nothing: Postmodernity in prose
The actuality of words: Postmodern poetry
Signs and scenes of crime, science ﬁction and fantasy
Dreaming history: European immigrant writing
Remapping a nation: Chicano/a and Latino/a writing
Improvising America: Asian American writing
New and ancient songs: The return of the Native American

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26658237 a History of American Literature 2004

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