Professional Documents
Culture Documents
1
2
Contents
Beautiful Edna, the Last Unsmashed Idol 4
Jean Harlow: Goddess of Bling and Cosmetics 5
Silent Films: It's Personal 6
James Cagney: I Know I Shouldn't Love You, But...... 7
Marilyn Miller - Look for the Silver (Screen) Lining 8
Clara Bow: I Want to Be Happy 9
Douglas Fairbanks: The Greatest Romantic 11
3
Beautiful Edna, the Last Unsmashed Idol
Monday, August 23, 2010
By now you may have guessed that Norma Desmond is
my classic movie guru - wisdom wrapped in warped
glamorous illusion and delusion. "They took the idols of
the world and smashed them!" Somehow, they all
became real. And even those who managed to maintain
their god and goddess-like state while alive were
revealed as all too real after death. But not Edna
Purviance.
Edna's star did not shine without Chaplin and so she faded from view and, eventually,
from memory. It seems no one, least of all Edna, was interested in pursuing her life in
public.
Like a beautiful painting once viewed and then hidden away, Edna remains a mystery.
There were no biographies, only little stories about her written in the margins of some
other famous people's lives.Tempting tidbits. Watching her with Chaplin you could ask
"who was Edna?", but there are no answers. No voices. Only a face and graceful form. Is
she a blank slate? A silly empty girl? Or is she the fascinating darling with skin as soft as
rose petals and laughter as sweet as tinkling bells? In the magic that is conjured in the
dark she stakes a claim on my imagination and will not leave. She is my creation. My
Edna can be like no one else's Edna. Through neglect, a forgotten idol is spared.
Will my last idol be smashed? Linda Wada, the conquistador who cracked the code of
Edna, is writing Edna's biography. And I do want to know everything. I can't help myself.
But my own private Edna will be gone.
Some super Cagney films (so many to chose from) are: Taxi, Picture Snatcher, Hard to
Handle, G-Men, and the aforementioned Angels With Dirty Faces, The Roaring Twenties,
Footlight Parade, Yankee Doodle Dandy and Love Me or Leave Me. And - of course -
anything that he ever appeared in. He is not known as a great lover, but paired with the
right gal (Ann Sheridan in City for Conquest or Torrid Zone), he stops your heart.
Cagney and Sheridan: Perfect Together
And so we have Marilyn Miller in "Sally." Originally filmed in early Technicolor, "Sally"
only survives in a black and white version. The make up used for Technicolor looks harsh
and overdone when seen black and white, making Marilyn look a little bit like a hard-
hearted kewpie doll. Her singing voice is a little thin and she is not beautiful in the
conventional Hollywood way. But boy oh boy can she dance. And, miracles of miracles, a
snippet of "Sally" in its original Technicolor was found. It is the "Wild Rose" number and,
in it, she is youthful, adorable and flirtatious. Her joy in performing is evident in every kick
and twirl and here, preserved forever, is Marilyn Miller in all her glory. We catch a glimpse
of her magic and she is no longer a mystery, just a name or photo in a book.We
understand what made her a Broadway legend. Thank you Hollywood! (click "read more"
to watch movie clip)
There are some nice videos of Marilyn on You-Tube, especially a neat tap dance from
"Sunny" and the "Look for the Silver Lining" duet with Joe E. Brown and the Butterfly
Ballet from "Sally."
A silent film viewer's response to Clara Bow is immediate and emotional. She, more than
any other performer of the silent era, represents raw emotion. There is joy in her
presence. She is young, healthy and full of fun, and really, really pretty. She has magical