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09 Creating Variety_Forms Textures Surfaces

09 Creating Variety_Forms Textures Surfaces

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Published by Kevin Denon Steele

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Categories:Topics, Art & Design
Published by: Kevin Denon Steele on Dec 26, 2010
Copyright:Attribution Non-commercial

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05/12/2014

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F(]moUJI~AnistsSchools.
f
~nc"~,
Westpo.r~,
COlmec:lii.::ut
C,"'.'-.'
,-I
realnlg
VG'r,l,ety
mrerms,
texlu:res,
ands,'urf,aic,es
Lessen
Albert
Donie
NormanRockweU~AJParker
Sfevoll'III
IDohonos
RobertFawceH
GeorgeGi:usti
A:usti'111
Briggs
Horo.I'd
Vorn
Schm~dt
-
lJ
_"
;i!"
COi'''I'!iim;~~
~,~f1O<
i'~rn,
cA:linSrs,~EH=tS.
rm:..
P,i.riI!"ll1:,~
U.~A..
 
2,
1fM~
.,~!'I~r"
Ic...docD;poe1;1
:~'j!-.,;I
L",d~ke,llI~d.,IIIO~~1rgt.~l!bj~i!ll'
~i~t.i'
C,.-l!!
""';U
tll!Q~.
~'n
~bi$1~~liIlm'"~f;tfll~~gh
ta-""r,~
C!!~!I'
~cmy
'!'Imi'l'"
"bi",,;h''',
Ih.,
,,'<il
~f.,,~
"'"",'cror
!I(jj)~"'ttl!'
Qli1h.
l~f.I·g.ii'juk_
'!!t~t
illr!~r~$1
"..~~Id
:~In.g~
I)"
.hoe
"'~Iie'"
~fj'he:i,e~d
,okc,f>"'~..
r
II,.,
""do,MI!li.,~,~d,d,ff,.
~i:i
M!I~
(j
r...~.QlKIU~I$_.
QI
IYpeof.o.lj·~d
~;n
t~~·
W,efl''_t;!I.,.~hh
~gldi
eml
~".f.I,.
,,,,,m
,,'I...
'PiI.:i'Fit:.
li~&;bnil,i,
.:;~"'.."1.Il'
of_ur.,g~:~.
ii
of
fQ"/1IQ.
Tb~·
linelluT~r
"'~rn~gJ~
'B"ii~!9",~
'i~
,~,,0;11,0~
M~
I"
id~ntif,
if
''II~;d.T,y"nd
~r.~rl!.
Th.,
,~rl't,.
~",*,,~"'.ro!li~.d,djlff~
~n1M
r,~!'1
,~~n't,'~jl'
\o'i!~,
tl:le,
r~lIg~;c'i"MUIIICi''I~.."''8!.i1,..
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~lI\jj
W'V:Iir-d;"u.d'
d!t;i9rl'
l:M~jtl.
 
Cre,a,'tling
vari,ety
inlfo'rms'l
'tex'tlures
andIS1urf',aces.
\V,e
Ih·e:
[nawotM
nHed
l~Tjth
a.raS'e.iqadng
variety
of
[OrnlLS,
textures,andsurface..,..Theim:rn'kmetal'lic·:s.ke1donof
:J:~ky.
Kraperunderrenstructicn,thehl15'}',i
rnri
eaU~panernof
lea
fles.~
br-.mcbes,.again:uasmoothcxpan:>cofsnow,theooaISf''nn:ediof
aman'ssuit
next
~o
the
shiningsilkof
a
woman'.dl"C'$S,
Ihe
sleel.,we:tbodles
of
ch
i
~drenscampe'dngover
the
nmg;h.roek.
y
\\i'dls·nefaswi'mmil'lghnh~·-here
i~:l1'1II
cxciu~m'E:'n~:,.::i,
v~v[d
])(I(:LfY
gfrllesensesinthese
andother
Ifonnsand
[e'xtUJ"'e"S_
U
~r~·
havedn.:
1.1'1..:;>:
[n
Sl::C
Ilh~m•.
i!.I:wy
gi~'ecol.nrandri·dcss
10oUt
]i",C'~.
They
windoasmuch
fot
ourpicmres,
A
goodpicture
i
like
a
'I
i
vingexperierlOe"
Ua.!l
3r~ist's
nmod
and
~liCl:(lf:ptiom
madereal
forthe
viewer,
Few
~h~l!gsdo
mere
'[han
desdipuve·
£oll"mand
[exnnetomakeihc'
viewer
see
whar
we'
have
seen,A
pit:ltiliJrc'
may
be
fine~y
oonc'eived,w,eU
composed,~ndsolid]),constructed,but
~l
'i~
nofa
fulfilled
picture
unt~l.dn:
dCL::iwl.s
offonnlJnd
tex-
turehavebeenadded.Ev,en
thesimplesr
olHHn~drawinghas
its
textures,Thccy
an:
,e"pre$SCd
inthe
out~ine-in
the
soh,
stroke
ofvariedw,eiglHt~a[
slIggJem,
doth.[he
firm..
righi
Iirretha':
tI.l:SL1Ci
besa~,.alid.
su.rracc.
Fee'l
it
'olnd
pain't
i:t
Thereal
ar~isr.
e:;:peneru::es
h~5,~ubje'ctintenS€i.y..
Om
gmd.jsr~o
~"c~ate
in
ourpicture
dlf'
u:'ansp:'l!renc)'ofgblss,
die
~nft...essoffUr,1l1C
hardness
ofmetal.
thefilrulness
of
,II
cloud.To
succeed,
we
musr
"fee]'
the
~peci31,f1u.8iliticsef
these
1natcriab
and
what
tu
a};;e$one
d.Ure~·e,!U
[romtheother.\'\!henwepa,i
n'[
r
he
p:1\"e-
mel!ll~ofa
street.•
a
sand)!
be&ih,
01'
<::I..
g~y'
101M},
we'shouldthink
howeachofthesewould
.[~J.
H
we
werewaJking~cro~
it.
E.y
im:lgiuing
the
~)hp;i('1;II
,!liCII.i<:lliolllUi
acuralcontact.we
,:an
benetexpress[he
f!!:l
,Icb:tl"acu~rofonr
II
hjef"-I:.
"Ie
must
"feel'
~tsjlmTiaud.~u,,"(~,re
if
wearetopalmItlili"hh
o;:mvicl~~()n_
Theact0,1
applying
the'\'.1.lousrex
mres
[0
the
£nnrnl5
i
II
:!I
picnm~isinitst:~f'asou.teeofrichpleasure
Ito
theartist..N\)wis
the
It~me'
~olbe·absorbedinC"Teatiw:pl:llYwid]
dn::'
bru1)"thepen".
or
pencil:to
huibIup
3:
rocky
'l'extu~e
"~'it.h
·scumbJOO
(OReS
of
th[~k
opaque,
to
'WaY!
3LW<I$h
speed
ily
::i
cm~the
~)apcr
sueface
and8ugge~jt:.~
sky
I'
tuplllcc
curHngstroke
beside,c:urHng
strokeatulseeadelicate,
to~elyheadof
haircome
inlobe~ng.
:fOilr
many
;:UUSl.'>
~his.
is
nneof
diU:
happiestpartsof"
pliClUite
m.akililg·.
Tex'turecan.$ugg,est
mood
A][hough
texturesare
exciting
[0
i1n~tam]pa.i~l
andhelptc-ereat.ethe
appearance
ofdlirI_2?,
they
ha\,'ea
deeper
"'alu~.
SeI:l'Sil"'rei.yinle,rpretf:d,
thc)"
am:ouppoH
uf
lillggf'liL
amoodl.By
[:daytng
dcmrn'Qur
U~:x[lif~;~
a.ndmakingquh~t.
:smocl'lh
:surbcL'"spf'Luom.inatcwu.apit:uuc,.wecangi·elhevie,,,'e:r
a:
fe,eli.llg
ofcdmand
pe;fjlce.
A
pietun.:
:lin,cll.
WiLh
busy.
au~,~e
textures
isaplcrure
JillJed'Ii~ith
e'xdtetu("lu
andd
ram,lI.
i
f\we:
usethese
tex-
tureslhollghtfuU)'wecan
hdluencethe
viewer's
ren5.:lJ1ions
as,
t':lIectivelya
wedo~\I':ith'I:iheother
wors
ofpklO<If<l1
compo~iti(jn_
f'orm:s,
Glnd:
textures
ma'k'e
the
pidu,r'e
'unique
Muchof
the
i
nt,eJie~:t
that
a
vfewer
fi
rId
S
in~pIC"lure
Is
due
to.
thelodi\liduaHLyof
its
fOrDl
and
testures.
AcmaUy.itis~h~~ind~\"idu"li.ll}',h;)l'(
of'[cn
draws[hI:!
a:nwst.
Eo
dlC
:s.ubjec't
IntheIi:rstplace,Howmanctonous
our
pinures
would
he
jf
mndwn~
there
were
onlyoJle:kindofweatl'u~:r,nuekind
0:[
tree,one
:type
ufduL1:I,unf:
t)'pt
o~man
and
'1,,;"om,a.tL
13u~
fOI[Ulnat.elythere
;1!I"1l!
differences-big
difFell"e,Qcc.s-
andwesbou.tcl
be
f'--'liger
to
discover
and
tate
,iild1fantage
ofthem,
Obsetvarion
'is
lhe
ke)'
here-careful.u'bsct'yauun
andselec-
Lion.JU::Has
therepouer
s.jE~
through
man:,~;ac(s
and
de:lails:'to
'Ii.ndtherea
Uy
,~gl1ifj·mll
t.
nnes,(he
'af'lisllOt.ud.i:.c:;
hlssubjec
LEo
learn
dle
re.l;Ily
i'mpm~!!.antrhlngsaboutitsform.
textuee,
and
other
dCUlils.
Through
this
knowledgehecancreateinhiplc-
'~m~dleiUu:sion,ofwhathehasseen,
Nunn~:n
Rockwen
Isa
good
exampleoIanartist
who
kno''''$
hOo""
eomake'
~ne·
mostofwh~n
he
obserses,
'fVe
·N~cogni::!l~·
C\'cry
penon
j
nhispkturesasadis
tinctandreal
hum,anbe
i
ng'.
ThE
ch:;urcaCtl::T'S;
,dotbing.,
the
sc·ttingin
whkh
we
find
himand
dlieobjectsaroundhimare
,:lppropl'b~'e
down
to
du::Iastdet.aiLBecauseRockhl:Uhasstudledallth.eseelemenrswith
'ClU,
be
hable
to
paintpictures
SCI
~Iw£dtkca.l:ldhusnan
that
they
hase
earnedhimthenue",r"America'$mostbeloved
illustrator."
Th,earfiist,inter,prets
Urnwingorpa:inlingd.iUe:r,en[(o:m'!L~ortex~ure$
caU~
f.ordiffer-emapproaches,
T~~
isno
Ut
{;@mlU~'CI
:for
capnurnng
dlespedal
'(itia~ity
uf
fle~ll.treebark,reck
brick,'ora.n~l
other
~'Ihstance.
Eachanist,~'mharuHe[he
.SI.lhject
III
hi's
OW-WI
\\i·ay..
:h
Is
your
re.di~12
r:ut
the
~ubjecl
lha)t
counts,
Y(l'U
donot
mpy
forms
and
texrures->
yot1
interpre~
(hem.Som,!!t~[m::sthe
ptCiLUrc
caU~
kir
'I.:'X~~rlit~on.soruetimesgl/ea~
:~i
[llpr~dty.
Nevn
becomeso]m-mersed~ntenderingapankular
[elU
~lllI"iC
n'!"'form
tin
t
lml
fm:gct
the
o\"cl'-.~_nt:n:cct-
tJ~cc'lIcctofthewho]epicture.
pll!'(lpJe
nav,e
<'I
defin~u!
persorl:1ll~lr,
,lind.
thillgs
uo.
tOOl.
Studyyour~ubJei:t.rorthe
~pedal
fe...mres,and
'q~D
alhi.es
th~
t
<l:r-e
s~g.
nific;:trn~
:il'!
t"xpf\eSol:1Flglhif>
per:~f.ml"iJity.T~lCyare
thele.
ohen.,in
l~U::
mine
th<ll
(lOmajl:lS
the
fOIm,
QI
$n.
$Ome'
of[he
det3i
Is,
of·(he
~exwre"Look
fOll"
[hemand
dr:;nlof
[ht~m.
i[s,ed
lhoughtfuUy,.
t.hey
'canbelp
giv,e
yourpkturesoriginalityandi:omi~tjQnandmake
themmore
'i
meie.5·'~ng;mdme.:mI
D'l
g:f
ul
'[0
your:uJ.diicnce.

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